The October of a Few Minutes Ago: On Time and Memory and Self

By Catherine DiMercurio

Sometimes it’s impossible to not think of masks and the tricks of time.

Let’s talk about the October of a few minutes ago, the one that got away from us in a last late rush of wind and rain, and the way it feels quite suddenly that fall too has disappeared, a dog slipped free from his collar who is now halfway down the street.

I think about the shape of time and how we package it. Every so often we are hit with this sense that time is rushing along faster than it ever did. We like to say it plays tricks on us. Only when we are bored, or clutched by some physical or emotional pain, does it seem to slow. We box time into comprehensible components – seconds, weeks, years – or bundle it into memories. And in this way, it is intrinsically tied to who we are. So much of our identity is built this way, memory by memory, and maybe we are the shape of time, a physical manifestation, or a border anyway.

autumn leaf board colors dark
Photo by Lisa Fotios on Pexels.com

But how did this October slip by so quickly, and how is it that when we remember bad Octobers we know they went on forever, as if there were long empty stretches of weeks embedded between the days? But those were maybe just the nights I couldn’t sleep.

Though we remember pain and grief differently than the way we look back on joy and laughter, all the memories are components of our soul-DNA. If you stripped out this memory or that one, would I be the same person I am now? I suppose everyone has days in which they are not particularly fond of the person whose life they seem to be inhabiting, and maybe the experiment of selective memory stripping would be one they’d be willing to take on, but I think it would be a dangerous game.

What is perhaps under-sung is the notion of the ordinary moment, the seemingly mundane experiences we scarcely remember that are, in a way, the connective tissue of our days and our selves. The big memories, all the firsts and lasts, and ceremonies and delights and gutting griefs, they all are spotlight hogs. But what of all the minutes and hours and days in between?

In a way, we are collections of ordinary moments. We are pumping gas into empty tanks in older model Mercurys. We are grinding coffee beans. We are holding hands. We are standing in line, holding too many items because we thought we wouldn’t need a basket. We are holding too much sometimes. But sometimes it’s just enough to get us through the express lane and home to dinner.

I wonder sometimes what it would be like to be able to remember all the ordinary moments of a lifetime, or, perhaps more manageably, just of that October that so recently broke free and slipped away from us. Why would I want to forget that moment standing in line at the grocery store, juggling bread and almond milk and coffee beans and sugar, along with one yellow onion and a bag of apples? In that moment, maybe I thought of kissing my love, maybe I thought of what would happen next in the story I’m writing, maybe I noticed the way the baby in front of me smiled at her sibling, and maybe that made me think of my own children when they were that little. Maybe I just stood there and let my mind drain free of the workday, and it was pleasant to not think or do anything for an instant, with only the ache in my arm and the smell of apple and onion and coffee reminding me of my current reality.

I don’t always know why something suddenly feels important to me, why I must think now about the significance of the mundane minutes in our days, or why I’m compelled to poke around in the murkiness where time and identity mingle. I remember being ankle-deep in a wide puddle. I was a child in rubber rain boots, standing in the low part at the back of our corner lot, stick in hand, poking in puddles. I remember that I probably pretended that I was fishing, though I probably was too old to be pretending, and I remember the hot prickle of embarrassment when the neighbor boy, my age, road by on his bike and asked me if I had caught anything yet, as he laughed and pedaled away.

What am I doing poking around in here anyway? Have I caught anything? Is there any point to wondering who I might be, if I could simply not remember feeling so childish and silly and stupid for that collection of odd minutes when I was an odd child?

But this too is part of who I am. Our metacognition shapes us as much as anything, what we feel and think about what we feel and think. In a way, it is a through-line, spanning years, weaving through moments, good memories and bad. The way we consider ourselves, including our own thoughts and feelings, evolves slowly, and it reaches both backward, overlaying context onto the past, and forward, projecting different versions of ourselves into the future, as we wonder how it might be to be this type of self, or that one, in five years or ten.

Last night, as I sat on the porch with my son, I watched the last of the trick-or-treaters drift off toward the next puddle of porch light. How can we not think of time and memory and identity on such nights, when it all blurs together, the masks we wear, the identities we inhabit over time, discarded, taken up again, all of it mixed up into a dark October night with red and yellow leaves plastered by rain to the sidewalk like so many candy wrappers.

I want to say it was just one more ordinary moment, but I’m beginning to believe that none of the moments are ordinary, really, if you think about it.

Maybe, the way we think about the way we think about it all is the formula for shaping time and self differently, for urging the boundaries into new directions and possibilities. Maybe there is some sort of magic at work here, playing upon our brains as one month turns arbitrarily into the next and we turn our clocks back tomorrow and play with time some more. Maybe I simply like the idea of expanding time and not losing moments, not any of them, because I like it here, I like me here, and I like you here, and maybe looking around at all that is all we really need to do to sometimes.

Love, Cath

 

On Crystallization, Perception, and Power

By Catherine DiMercurio

Sometimes our strengths are weaknesses in disguise.

One recent morning, I woke early with an idea in my head for a new story. I didn’t know that’s what it was at the time. It was still dark outside and a cool breezed huffed in through the open windows, shushing me back to sleep. Yet a clear picture arose in my mind of a man and two singular aspects of his life, and these ideas hummed themselves together into a beautiful sentence. My sleepy self insisted the ideas would hold together, the words would cling in my heart like syrup to fingers. I told myself it was okay to go back to sleep.

honey on white bowl
Photo by Pixabay on Pexels.com

But whoever remembers such things? The words or dreams we want to stay with us evaporate the more we want them to remain. I sat up and turned on a light. After a trip to the kitchen to warm up yesterday’s coffee, I did something I hadn’t done in a while, and wrote in bed. It was chilly enough that I donned the sweater linked by sensory memory to writing – I wore it almost daily at the writing retreat I attended in Vermont in the spring. As I flipped open my laptop I relished the sweet perfection of feeling at once cozy and creative and content. I began to write in that cherished, blissful way, where it all flows, and there is no thought or judgment about it, just all the words becoming themselves.

One of the reasons writing something new like this feels so freeing is that nothing about it is centered on thinking. When I’m working this way, the process is about throwing open doors and windows and letting everything that needs to get out get out, and letting everything that needs to get in get in. John Greenleaf Whittier says in one of his poems, “All the windows of my heart / I open to the day.” It’s like that.

When I write, my heart does the heavy lifting and my brain offers vocabulary, some structural tools, a bit of philosophy here and there. Most days though, my heart and brain team up differently. My heart is feeling and my brain is thinking and they feed off of each other, but it is more like a relay race and less like the very intimate dance of writing.

This interplay of thoughts and feelings has led me to consider why I have often been the subject of two observations: you think too much and you feel too much. The more familiar variants are: you’re overthinking this and you’re too sensitive. I have recently – through much thinking and feeling on the matter – come to a new understanding on the topic: I am thinking and feeling exactly the right amount for me. However, I am reacting far too quickly.

How overwhelming this must be for other people, considering how overwhelming it is for me! Friends and loved ones have often looked at me, bewildered at best, and frustrated, annoyed, or angry at worst, because my reactions seem out of sync with their understanding of a situation. And while my thoughts and feelings may not be out of sync, my outward reactions admittedly have been at times.

Realizing this, I have begun to explore a new-to-me idea. Mouth shut, heart and mind open. This is the part where I observe my heart and mind doing what they do best, without trying to interpret everything in the moment, with words that have not yet had a chance to catch up to meaning. I’m learning to take time and space to allow a process to occur, rather than rushing into speaking about things I have not yet had a chance to make sense of. It’s unfair to everyone and processes take time.

Yet it is important to note the following: the things we feel hypersensitive to or want to overthink about are the things our hearts and brains are signaling as significant. Heart bucking and full of ache? Thoughts galloping in all directions? These are clues. These are frantic, arm-waving events where we are trying to tell ourselves Pay attention! This is what and whom you care about the most and we are trying to tell you why and how it all matters! We owe it to ourselves to be contemplative about such things; we owe it to the people in our lives to consider how to react.

We all have these perceived weaknesses, characteristics that we’ve been told are flaws but don’t feel that way to us, yet still, they trip us up. It’s confusing, and difficult to untangle, when you get the sense that you are too something, or not enough of something else. We internalize these messages. External criticism of misunderstood qualities becomes internal self-censure, and over the years we accumulate a misunderstanding of ourselves. But maybe our weaknesses are strengths we have not yet learned to harness. Maybe they are clues to a higher level of understanding or way of being that we have not yet caught up to.

Perhaps my over-thinking and super-sensitivity can provide me sustained guidance in a way they haven’t before, now that I’ve begun to pay attention to them in a new way. Perhaps I can do more than catch glimpses of insight, a flash of inspiration. Maybe I can cultivate intuition and wisdom. Maybe I can hold on to it.

It isn’t easy, turning away from reacting and ruminating and toward contemplation. It takes sustained effort, and flexing muscles we may not be used to. I’m hopeful that as I practice this way of feeling and thinking, I’ll learn more about myself, about how to know when a situation is about quietly healing past wounds – self-inflicted or otherwise – and when it is about an ongoing external situation.

How many times have we been surprised to find our emotions running high, not knowing what brought them on, and how many times do we assume a situational trigger is at work, rather than an internal struggle we’d prefer to ignore because we don’t fully understand it? Sometimes when we are urgently trying to make connections between thoughts and feelings and words, we make mistakes, connect dots and form inaccurate pictures, and in doing so, we do more harm than good to the connections we share with the people we care about.

I am hopeful that the rewards of revaluing the characteristics perceived as weaknesses will be as sweet and as satisfying as the golden rush of new writing. All of it comes from the same source. The unfiltered flow of a new story is not much different from the unfiltered outpouring of deeply felt emotions and so many scattered thoughts. Perhaps, just as the process of revision shapes a story, so too will contemplation crystalize overwrought thoughts and overwhelming feelings into insights that can be savored, and when desired, shared.

Maybe, too, we can begin to consider the ways in which the perceived weaknesses of others might be regarded in a new light. Let’s be patient with one another; we all have powers we don’t yet know how to wield.

Love, Cath