On Seedlings, Rip Currents, and New Things

By Catherine DiMercurio

Solitude is one of those gifts that doesn’t always feel like one. There is much delight in self-discovery, but the responsibility to make the most of this time can be troubling. Yet in the absence of other humans to react to and with on a daily basis there is a freedom to observe ourselves, to re-learn what makes us tick.

For me, this prolonged period of solitude has provided the opportunity to ask questions. What does being me look like when I am not in the mode of daily parenting or in a state of being partnered? In a way, being in solitude is like being the control group in an experiment about my own identity.

Here, I have the time and space to observe what affects my mood, my sense of well-being. What stressors alter the course of my day, how do I respond to them? How did I respond differently when I lived with my children, when I was with a partner? What do I like about the way that I live and think and feel, and what would I like to improve?

Here is something I’m learning about growth. Imagine one of those old, time-lapsed photography videos of a germinating seedling, the way it pushes through the dirt up to the warm sunlight and begins to unfurl. I wish my growth was like that, unconscious and inevitable, rooted in the instinct to move toward the light. When a human chooses to pursue growth—emotional, psychological, relational, etc.—they bump up against obstacles that can feel more troublesome than the soil a seedling faces. We must move through them somehow to get to where we want to go. It is not an instinctual movement with a clear direction. For many, growth requires confronting fears, and most fears stem from old wounds, from past relationships that reach all the way back through our childhoods. Our growth often requires that we dig down before we can inch up.

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One of the things I have learned about myself is about the way I pursue things, or avoid pursuing them. Sometimes I can’t sink my teeth into something that intimidates me until I have run out of all the excuses to avoid trying. Sometimes I can’t truly let go of someone—even after the relationship has ended—until I have exhausted myself trying to figure out why it didn’t work. Things take as long as they take. Especially because we have to live life at the same time we are doing this work.

We owe ourselves these searches, these explorations of wounds to be done grieving, of lessons to be learned. But it’s hard and we need to take breaks. And the work does not have an exclusive claim to our time. We have other things to do. I have a full-time job, writing goals, hobbies, dogs who are strangely like best friends half the time, and mysterious toddler-like creatures with a never-ending set of demands the other half.

Some people seem better equipped to live in the moment. I feel as though I’m almost ready for whatever moment I find myself in, I just have to think about a few more things first.

In having all this time to myself, I decided it was time to learn something new. I had two aims in mind: learn the new thing, and, to learn something about myself in the process. One of the reasons I wanted to learn the new thing is that I have begun to understand the extent to which I have lost myself in past relationships. So, I am exploring the lost self, the remaining self. Further, I have a duty to undertake this exploration openly and honestly, to side-step self-criticism, and to nurture myself through this process with as much care as I would treat anyone who is going through transition or transformation.

The new thing, if you’ve read any of my recent blog posts, is pottery. It is an artform rich in metaphor. It is an artform where proficiency is elusive. Developing even rudimentary skills is challenging, more so than I ever imagined. Instead of being able to feel relaxed, or excited, or joyful, or curious about learning this new thing, I have found with dismay that I’m often frustrated or anxious. It is a disappointing reaction. I try not to be disappointed. I try to dig. Anxiety tries to point us in certain directions. Just like pain is our body’s way of telling us something is wrong, our anxiety is a way of our brain telling us that something is off. Certainly, there is nothing much actually dangerous about pottery, so why was I reacting this way, with so much worry? Was it more than just wanting to do well and struggling to get there?

I was about to head to the pottery studio and my anxiety was jangling so loudly it felt like I could hear my teeth rattle. Instead of ignoring it, or trying to distract myself, or telling myself to knock it off, I decided to talk myself through it. I asked myself a series of questions that kept whittling down the issue to a couple of difficult past experiences (long past!) and the years of emotional residue they left. I let myself experience the emotions those memories brought with them.

Sometimes anxiety makes us feel as we are in current danger even though our brains are remembering something else. So, this time, I tried to be aware of what was remembered, and feel it, and understand it, and forgive myself and the people around me. Miraculously, the anxiety that had gripped me so tightly evaporated. I didn’t realize it at first. I just found myself packing my tools, and I sensed that I felt better, calmer. I went in and spent three hours making a lot of mistakes on the wheel and when I was finished, I didn’t feel terrible about the mistakes as I had done in the past. I thought, this is great; my hands are getting used to how the clay feels, how it behaves. I was able to enjoy the process of failure.

If you’ve ever swum in Lake Michigan you may have seen the signs posted about dangerous rip currents, and how they pull unsuspecting swimmers away from the shore. The signs instruct you, should you get caught in a rip current, to swim parallel to the beach, so that you can get out of the rip current, before heading back to shore. Though I have never experienced a rip current, this is what anxiety sometimes feels like. There is no current (immediate) danger, but there is current danger (danger of getting pulled under and away by the current). The moment when I started asking myself questions about the anxiety that I felt was key. I took it seriously and didn’t panic. I realized that while I was not in imminent danger physically, I was in danger of the anxiety taking over, pushing me under. My questions allowed me the opportunity to swim parallel to the shore. Arriving at the studio in a calm state was much better than having to fight the jangling the whole time.  

While pottery is the new thing I am using to try and learn about myself as I learn about the art itself, life is going to give us all other new things. I think it is important to try and understand ourselves so that when things come our way, we know what to do with them, how to handle them, what holds us back, what pushes us under, what moves us forward.

I have a Post-it note stuck to my computer monitor. It reads: curiosity. I’m trying to let that guide me. To be curious rather than skeptical about new things and to wander through this part of my life with the open-heartedness with which I started the blog in the first place. Happy wandering! May your next new thing be good to you.

Love, Cath

On Pottery, Pressure, and Place

By Catherine DiMercurio

Sometimes the pressure we feel is part of the process.

I was driving home alone after dropping my son off at college after the winter break. We stopped by my daughter’s place for a hug and a quick conversation about everyone’s covid concerns about going back to school and work, as well as some recent car trouble and how we would coordinate getting the vehicle repaired. It was a Monday, and I’d taken a couple hours off and would be jumping back into work after a week off as soon as I got home. That evening, I would have my first pottery class, and I was having some anxiety about that.

Somewhere along the line, my excitement about the upcoming class had turned into a not-unexpected collection of worries. I was experiencing my own classroom covid concerns, along with my usual social anxiety, as well as a lot of uneasiness about the learning something new in a public, exposed way.

As I drove home with all these worries tumbling in my brain, I turned the radio on, scanning randomly, and “Under Pressure” came on, by Queen and David Bowie. It all just hit me, on so many levels, how much pressure everyone is experiencing, and I cried and sang, moved by music in a way I hadn’t been in a while.

Oddly, I heard the song again on my way home from pottery class that night. Did I mention that along with all the other ways the class is out of my comfort zone, it also runs from 7 p.m. to 10 p.m., which is a huge breach in my usual routine. So, it was very late for me to be out and driving on a winter Monday night, and I was overwhelmed and intimidated by the class, frustrated with not being able to master the thing you must master before you can really make anything—centering the clay on the wheel—when I heard “Under Pressure” again. I didn’t cry this time, but I felt it deeply. Again, it wasn’t just about me and the pressure I was feeling personally. It was impossible to listen to the song and not thing about what everyone has been dealing with the past couple of years. The song has been in my head all week.

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At one point when all I could think about before trying to fall asleep was clay, it occurred to me that so much of the struggle of centering is about pressure, which hand is applying pressure on the clay and where and how.

The other thing I’ve been thinking about for a while is place. I’ve been doing some soul searching and trying to figure out what that word means to me, and where I might belong, and how do I get there. But over the past couple of days, I’ve also been thinking about it in terms of where people are from. Some folks are fiercely from a place. Though I’ve lived about a half mile from Detroit for more than 20 years, I never say that I’m from Detroit, because people who are actually from Detroit really hate that, and though I love it, it isn’t my city. It didn’t shape me the way it shaped folks who grew up there, or who have made their life there in a meaningful way over the years. I get it. I don’t get to claim that.

I usually tell people I from Saginaw, which isn’t strictly true either. I grew up in Carrollton Township, a little working-class suburb of Saginaw. That’s what shaped me. There was a sense of community there, largely focused on the school, which I didn’t fully appreciate until many years later. Being from a suburb is kind of a strange thing in that it does not feel distinctive at all. Precisely because it is neither rural nor urban, a suburban upbringing can feel blurry, though suburbs are as different from one another as they are from rural towns or from cities. It is perhaps thought of as the middle ground between extremes, between the clear this or that of the rural or the urban. In fact, it is its own place.

There is much more to be said, and much more for me to explore personally, but it is fair to say that growing up where I did and how I did, the appropriate response to all the pressure I’ve been feeling would be an acknowledging shrug. Yup. That’s just how it is. (Parenting is hard. Everyone has car troubles.) The work ethic would kick in along with an accompanying sense of duty. You made a commitment, so you have a responsibility to stick with it and do your best. (You signed up for this class, so see it through and just keep trying.) The strong sense of community never leaves you, either. We have to help our neighbors when they need it. (We’re all tired—so tired—but it is important to keep protecting ourselves and each other with masks, vaccines, boosters, and common sense.)

In many ways, I have also been feeling a different kind of blurriness, this sense that I am in an in-between place, a mythical suburb of the soul. Maybe it is okay that it feels neither here nor there. Perhaps it, too, is its own place, and this it what it means to learn to belong to yourself.

In C.S. Lewis’s The Chronicles of Narnia, there is a place known as the Wood between the Worlds, where some characters travel on their way between Earth and Narnia. Maybe we all have access to an in-between place like that. Perhaps at times we believe we are in the Wood between the Worlds, when in fact, we have moved through that place into a new world, a new version of self. And perhaps we pass through the Wood more times than we realize in our journey toward self. I have also speculated that it is only in the Wood between the Worlds—in the in-between place we sometimes find ourselves—in which we are truly ourselves, and that journeying there is necessary in order to both forget and to remember our selves, before we move on to the next chapter of our lives.

I think that sometimes the pressure that we experience is the discomfort of transition, of the shaping and reshaping of ourselves that is both natural and difficult. Maybe this centering of self gets easier though. Maybe that’s just how it is.

Love, Cath

On December Moments & a Moon, on Resolve & Routines

By Catherine DiMercurio

Sometimes you look at yourself in a new light.

I try not to make New Year’s resolutions. It feels so contrived. At the same time, contrived or not, I have always felt a kind of magic at the stroke of midnight. With a tick of a hand on the clock, we suddenly turn a page. These are just numbers, arbitrary ways of marking time conceived of long ago by men who needed to do so to efficiently wage war.

This is not an accurate account of the history of time. I have a vague memory of learning about Julius Caesar creating the calendar roughly as we know it, and I imagine him doing so in order to plan empire-building attacks. And “civilized” society grew on such foundations and now we are able to not only war more precisely, but we learned to mark out work weeks. I think I would have preferred just partnering my movements with those of the sun and the seasons.

But, here we are. Everything we do is pushed through the sieve of the clock.

So as this year is ending, I keep thinking of things I want to prioritize in the coming year. Things that have fallen away that I want to get back to, new things to explore.

I always have writing goals, but as I wait for the publishing world to make decisions on my submissions, I feel like I need a new way of looking at success. Is success, or the lack thereof, related to the fact that a tiny fraction of a percent of what I have written has been published? Or is success deliberately cultivating a writing life? Writing every day, learning about writing, finding ways to be parts of different writing communities, reading. There is no new story here. I want to see success as the journey, not the goal, since the goal is elusive and I’m working very hard and want the work to mean something. I imagine there are two types of people who do this: people who have not achieved the goals they hoped to, and people who have, and understand that achieving a goal is not as brilliant as you think it is going to be. You hold it for a moment and then it slips away, and in its place, we fix another goal/hurdle. The fact is, the world is going to define success however it wants to. And the only path to sanity (and one’s ability to remain motivated), is for each of us to decide for ourselves what success means. What if it is that simple?

On the morning of the solstice, I walked with my dog beneath a waning gibbous moon. I paused to notice its particular shape and glow, and decided in that moment that this was my favorite moon phase. Waning gibbous. [Later I will think of the Wallace Stevens poem, “Thirteen Ways of Looking at a Blackbird,” when I consider why the waning gibbous is my favorite: “I do not know which to prefer / The beauty of inflections / Or the beauty of innuendos, / The blackbird whistling / Or just after.” I love the settling calm after the full moon, like a bird’s ruffled feathers hushing back into place.]

A flutter of movement caught my eye, pulled my awareness fully from the moon and toward a young stag, on its way back to the little strip of wood between the golf course and the houses that abut the creek. We looked at each other. My dog was quiet, alert. The three of us paused this way, for several lovely moments. I always hope when something like this happens, on the rare occasions that it does, that it means something. That I’m on the right path.

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A few days later, on Christmas morning, I awoke to the knowledge that my children once again slept in rooms a few feet from mine, snuggling with the dogs. We haven’t woken up together on Christmas Day in this house before. The knowledge left me with the feeling of peace and anticipation, like opening a letter from someone you missed and hadn’t seen for some time.

Some mornings, my first thoughts upon waking are about what is missing instead of what is present. I imagine someone kissing my shoulder, making us coffee, beginning our day together. Other mornings it is easier to unfold into my own day, rather than my imaginary one, to make the coffee and write and walk the dogs.

I have come to cherish this routine, my routine: waking in the darkness, finding words and purpose, then getting outside. I shake my sleepy head the way the dogs do and see what lands on the page—strange new ideas, one gorgeous metaphor to wrap a sentence around, or sometimes, thoughts I can’t quite string together or make sense of. And then, as the sky begins to lighten, I walk the puppy, who is jumpy still around anything unexpected—a car backing out of a driveway, a dog barking across the street. We move into the world before the world is moving, a short brisk walk where we sometimes dart from smell to smell as he investigates. And then, we return home, and I switch dogs. My senior pup’s walks are long and purposeful. Ahead, ahead, let’s go. Sometimes he stops to sniff but he is about movement, and I watch the way his stiff joints seem to loosen and ease. The joy he takes in his morning walks is spectacular. And even if I’m frustrated from the writing, or how much the puppy pulled or lunged, by the end of this second walk something in me usually loosens and eases as well.

I recall how difficult maintaining this routine was in my last relationship and I’m disappointed that I sacrificed so much of myself to a situation where little was offered in return. But this is how we learn. This past year I have learned so much about what I truly value. About what I like. Not only what I enjoy doing, or what pleases me about my life. I am learning what I like about myself. This is good territory. I’ve been here before but have not inhabited this space. I’ve dropped in for visits but only as a tourist. I’m becoming a local now. I didn’t know you could do that. That I could. If such things are taught some place, I missed the lessons. I feel as if it never occurred to me before to develop a more conscious understanding of myself in this manner. I think deeply and often about my feelings and my past and my flaws, but I have spent so little time in this other region of selfness. I keep returning to this thought: I didn’t know it was okay to want to.

Even as we are dealing with so many stressors and responsibilities, we somehow must learn to be our own guidance counselors, and to put ideas in front of ourselves to consider. For me, it was: have you given any thought to what you like about yourself? One of the benefits of pursuing this line of thinking is that there is so much less time and energy to pursue the endless ruminating on what relationships failed and why. I have ruthlessly covered every inch of that ground, dragging myself through the dark woods over and over again. What did I miss, could another path have been taken, what went wrong, what went right, you better learn from this so it doesn’t happen again. To spend time instead exploring the other worlds inside my heart is a gift. I could chastise myself for not getting here sooner, but I think we’ve covered the ground of self-recrimination in several ways at this point.

So instead, let’s explore lightness and joy. Instead, let’s allow that we have learned and re-learned old lessons, we have dissected mistakes, grief, loss, and failures. Let us now resolve to learn and re-learn what success means to us, what joy does, what self does.

Love, Cath

On Clay and Conversation

By Catherine DiMercurio

So much of life depends on how you look at things.

I don’t mean seeing things from a different angle in order to guide yourself toward a more positive perspective. I mean new experiences sometimes hand you a metaphor and give you a way to contemplate something more deeply or fruitfully than you have before.

Recently, my daughter and I took a trial wheel-throwing pottery class. It was something we’d both wanted to try for a long time. I was nervous about investing time and money into a semester-long class without first having some idea about how I would feel about working with this medium, so the two-hour workshop format appealed to me.

On the drive over to the studio, I had a strange thought. I was feeling anxious and as I dug around in that feeling I realized part of it was because I did not want to disappoint the instructor, some person I’d never met before. Why on earth would I care about that? Maybe I didn’t want them to think that my inability to follow directions, or create “properly” meant that they were not doing their job well. I wanted to be a good student so they could feel like a good teacher. It was also part of my people-pleasing mentality. [The reasons people do this are varied and complex. Sometimes it is because we’ve lived with emotionally volatile people and we learn to not make waves. Sometimes it is because we need others to think well of ourselves since we have a hard time doing that on our own. This is often a result of us having internalized messages—religious, cultural, societal messages—in such a way that we feel it is necessary to prove that we are, in fact, good people.]

Still, I tried to shelve these ancient worries. I wanted to focus on having fun with my daughter and learning something new. I wanted to prove to myself that I could.

As it happened, my daughter and I were both feeling a little anxious, because it’s normal to feel that way when you’re trying out something you’ve never done before. But once we walked into the studio, met the owners and their dog, and toured the space, I began to feel more relaxed. Shelves of drying cups and bowls and vases, pale stoneware waiting to be glazed. Gorgeous curved and sumptuous shapes. Rows and rows of completed, glazed work, waiting for students to collect them. Oh, the glazes. I love glazes. I wish I had the vocabulary to describe them, understood their chemical composition. Reddish browns, honeyed golds, pale bronzy greens. It all washed over me. I felt both calm and exhilarated. I love that hard-to-come-by feeling.

I couldn’t wait to feel the clay beneath my fingers, to begin to see how it responded to the corresponding forces of my touch and the movement of the wheel. I’d watched enough of a British pottery competition program to imagine what it might be like but now I’d be getting my own hands dirty and trying it out.

One of the owners, Mike, sat down at the wheel and talked us through various processes and techniques. And then suddenly we were doing it. Mike helped when we weren’t sure if our clay was centered, or if a bowl was widening to the point of collapse. He was a good guide.

I wasn’t shockingly good at it for a beginner, though I really wanted to be! I may not have uncovered a hidden talent, but I also did not uncover the disaster I’d been fearing. This wasn’t gym class, and I wasn’t unbelievably horrible at it, as I was with most sports. Have you ever been so bad at something that people are embarrassed for you? Not fun. But here, in the studio, I did have fun, and so did my daughter.

There was some kind of perfect little relief in the newness of it all. A bliss in getting to believe in something else, a different kind of space, a different kind of making. I think my daughter and I both experienced that and it felt important to be able to share that with her.

In the days since the class, one of the things I’ve reflected on is the notion of conversation. Working with the clay, my hands had to be in conversation with one another. They didn’t simply work “together.” They worked in harmony and in response to one another. It is different than say, playing a musical instrument, where your hands are working together, but each is performing a separate task. In building a bowl on the wheel, my hands had to talk to each other, listen to each other, in order to create something together. It was impossible not to see this as a beautiful metaphor for what I hope to one day find in a relationship. If you are not working together, focused on the relationship you’re creating, it will not hold together, things will spin out of control. You must want the same thing. You might end up making something different than what you intended at the beginning, but you’re in on it together. And unless there is a cooperative, positive effort, it won’t be anything at all.

Because my brain works the way it does, I seized upon this metaphor and tried applying it retroactively to past relationships that did not turn into what I’d hoped they would. Maybe this was the way I could make sense of how things happened the way they did. The pottery metaphor provided an effective lens with which to view things and helped me to remind myself of why those things didn’t work out.  

I’ll be honest. Sometimes I need a new way to look at an old thing I’ve been turning around endlessly in my head. The ending of relationships is hard. Grief is real, full, and deep, no matter how much you believe that the ending was necessary. I often find myself reciting the stories and their endings back to myself, so I remember, so I don’t repeat past mistakes. So that, if I’m lucky enough to get a next time, I get to keep it. Grief takes up a lot of space in a heart. In a way, we remain in conversation with our grief, long after the loss that caused it.

Another thing about conversation is that in the past I’ve mistaken emotional or intellectual connection for emotional intimacy. It’s all about conversation, but they are not the same things. We have to look closely and see if what we are offering to our partner is what we are being offered in return. There were times that I was not actually having the conversation that I thought I was. Things take time to reveal themselves. People do. We all try to be the best versions of ourselves when we want something to work out. But we can’t keep that up indefinitely. And one person’s idea of something “working out” can be very different from another’s and in the absence of emotional intimacy it might take a while to figure that out. We may think we are building something with a partner, but unless we are in true conversation with one another, one hand might be trying to create a saucer while the other is trying to make a vase.

Another lesson here for me is about a new kind of open heartedness. It took a bit of pushing myself to decide to take this class. I must remember to do that sometimes, to nudge myself into action, into new ways of looking at things. I admire people who can jump into new things without the anxiety that sometimes holds me back. At the same time, I love that these experiences for me feel special, wonderous, even, given that it wasn’t easy for me to approach them.

We all come at the world and all it has to offer differently, but I don’t believe that there are methods that are superior to others. We go at our own pace and are rewarded in the ways that feel meaningful to us. And we learn the lessons we need to when we are ready for them.

After you make something at the wheel, it goes through many other steps. It air dries, then is trimmed, then dried in the kiln, and then glazed, and then fired once more. Or something like that. My daughter and I didn’t get to do those other steps—that is what the full class is for—but we did get to pick out glazes. I’m eagerly awaiting the call from the studio saying that our pieces are ready. Pottery, it seems, like everything else in my life, is trying to teach me patience.

I’m pretty sure I’m going to sign up for the full class, but the next session will begin in January, and meets for three hours on Monday nights. That’s a big commitment! But I think I’m intrigued enough to take it on.

Wishing you true conversation and a little bit of genuine bliss.

Love, Cath

From Dissection to Healing to Magic

By Catherine DiMercurio

Sometimes it takes science and fairy tales to get there.

Sometimes I feel as though I cannot get out of my own head, and that this is a blessing and a curse. When I think of the events of the past year, around the globe and in our country, is it any wonder that a person would want to escape? At the same time, seated at the shiny black lab table in my brain, dissecting the minutiae of what is working and what isn’t, on a less global, more personal level, thinking of what was, and what could be, and what won’t be, is exhausting.

I remember my advanced biology class, the eviscerated fetal pig in front of me – a tough memory for a vegan, no doubt – and labeling a diagram. I remember the smell of formaldehyde. Who could forget the sour chemical pungency of that smell? Near the end of the semester, late May, perhaps, I sat in Mrs. Fitzgerald’s class, and the windows were open, and the air was warm and heavy. The faint breeze that huffed in through the window did little to dissipate the odors in the room. The paper in front of me, next to my tray of pig, was limp from humidity, and I can see myself sitting there with a scalpel in my hand.

I think, how like that I sometimes feel now, attempting to take an objective scientific look at myself, my brain, my heart. Everything in front me.

Thinking analytically about self is no easy task. It is one part of what we talk about when we say we are doing the work. When I say we here, I mean the people I talk to who are also endeavoring through intentionality to figure out their lives and relationships. Rolling up our sleeves and doing the tough thinking about who we are, who we were, who we want to be. Where are we going and how we get there. The other part of this endeavor is messier. It is the grieving that happens when we follow certain lines of thinking, tracing the paths of arteries back to the heart.

Lately, I’ve been doing this analytical work, and following all the emotions that accompany it. It is painstaking work that involves patience, which I’ve never been very good at, and also why I would have made a poor scientist.

The universe insists on patience, whether or not we are good at it, whether or not we are overcome by a sense of urgency.

There are many ways people talk about what they carry and what they are working through. Sometimes we use terms like weight, or wounds or scars. What I’m beginning to understand is that maybe, though we are focused on this work, though we tend what needs attention with a sense of urgency, frustration, and impatience, we also must focus on the rest of us.

What I mean is this: When we are injured, we care for the wound, but also know that we need our bodies to be strong and healthy in order to heal, so we make sure we are eating the right foods, getting enough sleep, etc. When we meet people, if the injury is obvious, involving a cast, or bandages or crutches, that is likely going to be the first thing they notice about us. We, and they, are rightly focused on this Big Thing that has happened and is now a part of our lives.

Similarly, when we are heart-sore and soul-wounded from large-scale psychic pain and grief, it is just as obvious to the world around us as a broken leg in a cast. But over time, those injuries that may still cause us pain become less apparent to the world at large, just as a once-broken bone may always cause us an ache that no one else can see.

What I’m learning is this: there is a point in our healing process where our focus is able to shift from the wound, the scar, the weight, to the rest of us, to the whole self. And when we are ready, we will let it. We will welcome it.

A holistic view of self neither privileges nor ignores injury. Likewise, it does not privilege or ignore what is healthy and healed.

It is said that some people lead with their hearts, some with their heads. And by lead, I mean, lead themselves, through life. I think, when a heart has been busy healing from new bruising upon old trauma, a person tends to lead with that, with the weight, the wounds. It’s hard not to, when that’s what you’ve been focused on for so long, in an effort to transcend the past.

But, think of this: in a garden, you water the healthy plants and the sick ones. In a writing workshop, you focus both on what’s working and what isn’t. Some of us, perfectionists or people who have otherwise developed a strong compulsion toward proving themselves, can only seem to focus on what needs improving, and do so in a way that presents itself as hyper-self-criticism. We look at this intense attention to what needs to be done as necessary and good, but if we spend too much time and too much energy on that endeavor, we are effectively abandoning the rest of ourselves.

People say, know your worth, and if you’ve been in the process of recovering and healing, it isn’t as if you don’t, but it certainly hasn’t been your area of focus.

We are told that if we do not heal past traumas, we are doomed to repeat destructive patterns. Yet, the notion of healing is a blurry one. We dissect, we study, we grieve, and we do this over and over, trying with each attempt to understand our whole heart and mind more fully.

There are always going to be moments where we shift our attention once again to those old, troubling wounds, but if you have been focusing primarily on that, with an urgent desire to heal, this might be the time and place to say, enough. We might imagine a doctor hovering over healed sutures saying, well, you’re always going to have that scar, but you’re pretty much good to go.

We might imagine ourselves hovering over that poor dissected creature in front of us, saying I’ve learned everything I could from you. Thank you for your sacrifice. Place the scalpel on the table and walk away.

We turn our attention to self as a whole organism and instead of cataloging the injuries that have cried out for healing, we count them as tended to. The analytical part of us can now assess the new being that we now are, scars and all. If we are list makers, we begin a new one. We start small. We think of praise that we received as a child, what we were we good at. We cobble together a collection of our accomplishments, our strengths, big and small.

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We soon realize that we are doing more than cobbling. We are cracking something open, like a fairytale egg, and what’s inside is something we’ve been hoarding without knowing it – all of the good things, the joyful things, the brilliant unwounded, indestructible, infinite parts of ourselves gifted from the cosmos. We sigh, pleased with our magic, and think, there you are, and are reunited with ourselves.  

Love, Cath

On Dreams, and the Shape of Things

By Catherine DiMercurio

Sometimes the true shape of our dreams is not yet known.

Recently, I was asked to take a self-assessment for a professional development workshop. The questions were different than other personality assessments I’ve taken in the past, but the results were similar. Familiar descriptors floated to the surface: introspective, intuitive, creative, nurturing, etc. And I thought, I’ve known all this since before I had words to name these characteristics.

Some things have never been a mystery, not to me, about me.

The mystery lies elsewhere, as our known selves try to find ways to acclimate to the different environments in which they find themselves – to different homes, neighborhoods, jobs, relationships. All those always characteristics adapt into various ways of being, and we come to believe that those behaviors, those ways of expressing ourselves, are the same thing as self. But BEing and ways of being are distinct. At times, they are a close mirror of each other, and it feels as if everything is falling into its place. Then, we find a way to be in our current existence in a manner that is in near-perfect harmony with the self we have always known.

Some mornings, when it is quite early and I want to listen to the quiet in my brain, I warm up what is left of yesterday’s coffee and sit in the half-light of the living room. When there isn’t much coffee left, I add a generous pour of oat milk. It reminds me of the coffee that my mother permitted me to have as child. More milk than coffee, with a little sugar, it is not grownup coffee, and it lets my thoughts be childlike in their wanderings, without a need for order or progress. I remember that younger me having a distinct awareness of a blurriness of self, as if I knew that my consciousness resided in this body and in this existence, but could tell itself apart. I remember a particular moment, sitting in the backseat of my parents’ car, looking out the window at the trees blurring past in the sunlight, telling myself I am me, I am me. I remember discomfort, as if it took some effort to hold within me an understanding of both unity and fracture. The depth of my love for this little thinker, my desire to protect her and that inner world, has never dissipated. When I say that my writing stems from a desire for connection, I do not mean only with others. I mean with myself, including that little girl contemplating matters for which she had no name.

Sometimes, when I’m mulling a tough problem and stumbling up against the self questions that cartwheel in front of me these days, I think of what the people who have known me the longest would say, and then I think of what the people who have only known me since my divorce would say. They are often very different things, which is unsurprising, but which does not help when I’m seeking the through-line. I sense instinctively that there is a truth that I can uncover, as if there is a way in which everything aligns.

We are told to be true to ourselves, but do we know what that means?

When I look at my childhood self I wonder if she is an accurate gauge by which to consider my own current authenticity. Does that put too much pressure on the past, on fallible memory, on a self that, because she is comprised of memories, is more myth than truth?

Our lives are fragmented. We move in between worlds, perpetually navigating different situations and environments and recalibrating ourselves as needed. It is easy to feel as though our understanding of self gets lost along the way. We too quickly become who we are seen as, rather than who we’ve always been.

Recently I have looked at my old watercolor paintings with a fresh eye. I’ve hung up some of my first attempts at apples, completed during a class at a community college when my daughter was a baby, and have judged them far less harshly than I once did. I’m not saying they are good. I’m saying that when I look at them, I feel a connection to the experience of being an anonymous and aspiring artist in a classroom full of unknown people. I barely remember the professor, and I certainly don’t remember any classmates. But I recall the feeling of being there and trying. And I see all my curiosity and earnestness in those paintings.

And curiosity and earnestness feel like links to the little girl in the back of the car contemplating her existence.

I think of how many times those words, curiosity and earnestness, have made an appearance in previous blogs. Those concepts catch with me, like the little burrs that stick to your socks when you hike through a field. I think, this is how I want to be. These qualities underpin one of the refrains that chorused through our household when my children were growing up: try your best. Among other things, it is about being open to learning, and being willing to work hard.

Perhaps this comes with a little too much pressure, pressure that I put that on myself. Often, I’m frustrated when the results do not seem to match the effort. I wonder – was that my best? Did I work hard enough? Did I not learn well? I am trying to be more process-oriented, and less results-oriented, but it is not an easy shift, and perhaps, it is not a necessary one. Perhaps working toward a specific result – a better apple, a published story – is a good and motivating thing for me, and maybe all I need to work on is not being overly discouraged by imperfect watercolor fruit and rejected fiction.

However, I wonder if all goals or dreams are well-served by this approach. Maybe some things won’t look the way we always wanted them to, and maybe that’s a wonderful thing. Pursuing a goal that we are only looking at from one angle may result in us giving up on the goal instead of swapping one perspective for another. Some dreams are more complex than we realize and have many facets; maybe when we focus on a singular component, we can’t truly understand the value of the whole.

There was a book I used to read to my children: The Important Book, by Margaret Wise Brown. Here’s an example of the way this book works:

“The important thing about an apple is that it is round. It is red. You bite it, and it is white inside, and the juice splashes in your face, and it tastes like an apple, and it falls off a tree. But the important thing about an apple is that it is round.”

Sometimes we need to clarify for ourselves what the important part about a particular goal or dream truly is. Possibly, and without knowing it, we do harm to our ability to achieve the dream because instead of focusing on the important part we are expending energy on something we mistakenly believe is the important part. Sometimes, we don’t want precisely what we think we want. When we try to know our own hearts, we have to look well beneath the surface. Our true dreams are often obscured, layered over by years of doubt, history, pain – our own, and that of other people, who, though well-meaning, might weigh in on how our own dreams should look and feel to us. It is no wonder we are often plagued by thoughts of, and fears about, loss and lost-ness. Others might try and tell us what should be important to us, and that can nudge us off course. Do you think the most important thing about an apple is that it is round? I do not. But who am I to say what should be important to someone else?

There is no getting around the fact that the process of making our own hearts known to us takes time, and careful examination. This is true for any dream, wish, or goal that we have for ourselves, whether it is concerned with our personal relationships, or our pursuit of our art, or our work, or something else entirely. I do not know the way to reveal that which I cannot yet see, though I’m certain that I must keep exploring my heart and all its sedimentary layers. This discovery process will involve more ambiguity than I am comfortable with, and that is a reality I reckon with daily.

As an example of all this, I can give you a peek into one of my dreams. My writing dream has always involved publication. Yet, I am beginning to explore the idea that instead of this being the most important facet of this dream, it is but one part of a writing life, which is perhaps more what I’m truly after. In truth, I’m not exactly sure what that means, nor am I certain of the path I need to take to get there. For now, I’m focusing more on what I need to say, and how best to say it. In the coming months, I will be immersing myself in a couple of workshop experiences with other writers, led by artists and mentors I trust. The time feels right for this approach, though the work will be challenging.

This is but one of the dreams I’m searching out the true shape of. Everyone has some. We carry pockets full of stones gathered from lakebeds and we don’t know why. We wish for the unknown to reveal itself. We throw pennies into fountains, wishing, wishing.

On the night of the lunar eclipse, I dreamed I was mending an unknown world with pink thread.

Dream on, friends.

Love, Cath

On Throat-Clearing, Self, and Voice

By Catherine DiMercurio

Sometimes we can almost find the melody.

I put a lot of effort into trying to make sense of things that don’t. In my writing, it feels like the practice of untangling knots that can’t be untied, though each story takes a fresh try at undoing. My brain attacks most present worries in the same way.

When I sit still, I sometimes feel both restless and exhausted. This state is a product of many things – pandemic year, new and old anxieties, writing frustrations, aging realities, leaving and moving and settling in.

In my writing, I begin to wonder about voice – what manner of expressing myself is unique to me, my fingerprint of creative expression. And voice, as in, mine, in this world. Lately I have revisited half-begun stories and can’t take them anywhere. I think of a top spinning at the end of its movement, the wobbly tilt and hobble where I find my creative practice these days. Tops get spun again; I don’t worry that I’m done, but wonder where to go from here, and how.

In a way, it feels as though this year of largely staying in place has been one of incubation. During this time, I focused on trying to make my new house feel like mine. I thought a lot about home. I also began to reckon more consciously and deliberately with the notion of aging. I periodically take photos of myself that I show to no one to document the progress of the incoming greys, and to acclimatize myself to the changing terrain of my face.  We have kept ourselves as hidden as possible from the hidden virus, and I have grown tired of hiding myself from myself. But I often don’t recognize me.

I heard somewhere recently that resilience is never losing your enthusiasm in the face of failure. This made me feel angry and a bit deflated, because I want to think of myself as resilient, but I always feel enthusiasm flag when faced with failure. I would counter that resiliency is never losing hope in the face of failure. You can feel defeated, but at the same time you keep fighting for what’s important to you. Enthusiasm feels like a bit too much pressure sometimes. Then again, it is possible that I am not actually resilient. But I am good at hope.

As I’ve noted before in this space, Clarice Lipsector wrote “It is also possible that even then the theme of my existence was irrational hope.” We all have themes, not only as artists but as humans, patterns we observe in our lives, values we attempt to adhere to, wishes we twirl around our hearts. Maybe none of us could extricate ourselves from the themes of our existence if we tried. Some things are as they are. I will find love stories everywhere. I will write them. I will be hopeful about everything and everyone I love. I wonder if all hope is irrational.

Everything I have ever written has turned into a love story. Love, loss, seeking, finding – these are the structural frameworks of most everything I compose. I wonder sometimes, when I feel defeated, and the rejections land solemnly in my in-box, if all I can build are dollhouses, while better writers are busy building cities, universes. But then I think that maybe the world needs dollhouses too. We all need different entry points into the art we interact with. Maybe someone is just waiting for the right-sized door. Maybe it’s all that Alice in Wonderland game of feeling too big or too small to get to where we want to go. But eventually, we find a way to connect.

Photo by Pixabay on Pexels.com

The themes we don’t stray from are, in a way, one path toward maintaining our connection with ourselves. I have a novel manuscript that has undergone more permutations than I care to number. I have left it unsubmitted for a long time and had nearly decided to abandon all hope (and enthusiasm).  But, I have dedicated myself to one more overhaul, and I’m now working with a trusted writer who is helping me take a fresh look at it. I feel hopeful once again, but daunted. Possibly I am not now, nor ever was, up to the task of doing what so many novelists do so well, which is, to do everything well – plot, character, pace, language, theme, subtext, and so on. Everything must be precisely fine-tuned for the work to sing. Currently there is a lack of harmony, there is a lot of out-of-tune warbling, and a fair amount of throat clearing. Sometimes I think the melody’s there though.

I listen for melody too in the world outside my door, but I’m finding it clunky to emerge from this pandemic isolation, as we receive our vaccinations and make plans once again. I see other vaccinated folk pursuing “normalcy” as if they hear a tune and feel compelled to follow it. I can almost hear it. And there are people I’m so looking forward to spending non-masked time with. I can’t wait to spend more than a few odd hours with my daughter, and to see her whole wonderful face the whole time. Yet, in general, I feel both excited and enormously anxious about jumping back into the world at large. Maybe I’m feeling as though I’m still incubating. As with many things, we grow when we learn to be empathetic with regard to the timetables of the people around us.  

When I think of empathy and growth, I think of the way growth often doesn’t always look like growth – it looks like incubation, it looks like cocooned pupae. And when I think of empathy, I remember that I often forget to have it for myself.

This weekend I did a little hiking. It felt good to be in the woods. My son took a picture of me at my request and I’ve looked at it many times since, trying to see what I wanted to see there. A recognizable person. She seemed familiar, me and not-me at the same time, but the setting seemed right and that helped. I don’t know why it feels so difficult so often to know and be at peace with myself. Maybe this year too much happened and too much didn’t happen, and it changed me more than I am consciously aware. Maybe the image in the photo is a reflection of reality and it is my ability to see it truly that has been altered by time and experience. Perhaps how we see changes more than what we see, and how we hear melodies differently from one another explains so many things. This is all the more reason for us to cultivate empathy toward one another and to build our reserves of resiliency and irrational hope, as we attempt to both listen and sing in this world.

Love, Cath

On Calm, and Quirks, and Being

By Catherine DiMercurio

Sometimes I don’t want to calm down, because I’m not sure what to do once I get there. I wonder if I know how to do more than visit. I’m so used to allowing my anxiety as much space as it needs that it feels more like home somehow, to be worried. To be in the void, the one at the center of calm, to be without the fluster and fear, means dealing with a situation instead of reacting to it. In a way, there is safety in not-calm. It shields us from work we haven’t learned how to do, or that we were forgot we were competent at. Or, from work that needs doing, but sometimes we are so very tired of doing it.

Photo by Evie Shaffer on Pexels.com

Recently, I was startled by the sudden and violent death of a mourning dove who’d been grazing on the snowy ground at the base of the bird feeder in the back yard. We first noticed the large hawk, hunched over something. It dawned on us then that he must have killed something. After he flew off, carrying the body, we traipsed through the snow and viewed what remained. A scatter of grey and cream colored feathers surrounded a circle of blood-stained snow. Surmising it must have been one of the mourning doves we had noticed earlier, we cleaned up what we could. As I used a plastic grocery bag to gather up feathers and bloody snow in shaky fistfuls, I thought, abstractly, “the dogs,” not able to articulate my worry over them examining the scene. It simply seemed bad to allow them to investigate and possibly consume anything left of the bird. And then I was startled by a sudden grief for the mourning dove I’d invited to the feeder.

When I was attending my graduate school residencies, I heard a lot of talk about “liminal spaces.” The term liminal wasn’t part of my usual vernacular. This notion of in-between-ness felt writerly. It was a lofty concept, an emotionally self-aware and intellectual way of looking at things, and I liked it. Wanted to inhabit a me whose boundaries encompassed the use of such words. I remember thinking about how much living existed in the space between our words. I found myself fully invested in exploring this concept, probably because I was in such an in-between place myself, in between versions of myself, headed away from a married me, and becoming a divorced me, but not really knowing what it was supposed to look like, who I wanted her to be. The liminal eventually became a meaningless concept for me because I felt as though I would be perpetually unable to leave behind one existence and inhabit the next. I felt trapped in an existential game of Twister, limbs tangled and reaching back and forward and everywhere at the same time, grasping urgently for a sense of self. I thought, rather than arriving at the next iteration of myself, I would succumb to becoming a not-me. As if I was nothing more than this tangle of selves, rather than someone who insisted on her own certain form. A scatter of feathers and blood. No longer bird, but still evidence of bird.

In a way, calm itself is liminal. It is an in-between space, the place that exists between anxiety and the next part, work. The work of undoing or repairing or rebuilding whatever sent you falling in the first place. I think of the place in between bird and not-bird and realize it is a very different thing than transitioning from one state of mind to the next, from anxiety to calm to work. It is final. Full stop. Though moving oneself from a state of anxiety to a state of calm can inspire dread and more fear, we always know it is a journey we have to make. But, it takes time. Sometimes we need help, sometimes we need solitude to regroup. Yet it is always characterized, eventually, by movement, not by stopping.

I think about the little movements, like a flutter of breath once we realize we’ve been holding it, that invite us toward calm. The half-formed thought that suggests the difference between the instincts we trust and the hazy, malformed notions that are more remembered grief than the deeper knowledge that points us to what we need, when we need it. Admittedly, it can be hard to tell the difference sometimes. It is even harder to tell the difference when our state is not calm.

I wonder sometimes if it is healthy to spend so much energy considering such abstract things as anxiety and fear and states of mind and states of being. But I also don’t know how to exist, how to be me, without also considering my whole self and my place within the larger world. I think too that such considerations play a vital role in allowing us to grow together and harmoniously with those close to us.

We must keep sharing our real selves with our people, and encouraging them to do the same.

How lucky we are when they allow us to do so without out judgement. I consider myself to be an open, heart-on-your sleeve person. But at the same time, I carry around a certain level of shame and embarrassment about the things I don’t love about myself, like my easily triggered anxiety, or certain weather-related phobias, or the panic my periodic insomnia induces. I admit, I hoped to downplay these qualities to my boyfriend, worried about how he would perceive them. But who we are simply and without fail reveals itself. And, I’ve happily discovered that I am with a person who seems able to accept everything about me, even when my quirks seem unexpected or incomprehensible. We have been together two years now, and it is beautiful to be able to offer one another this grace, this space to be who we truly are with one another.

I’m wishing you all calm today, and am supporting you in being who you are, who you are becoming. If you have a chance, take a moment to hug or thank the people who are happy to let you do that.

Love, Cath

On the Utility of Failed Metaphors, Or the Clock, the Iron, and the Buckthorn

By Catherine DiMercurio

Sometimes the failure of language points us toward wonder.

Over the course of the long weekend, metaphors arrived at my feet, floated to me like wishes made on dandelion puffs. They arranged themselves into a series of vignettes and waited for me to make sense of them.

First, there was the clock. I sometimes watch a show about antique and vintage items being repaired by a hodgepodge collection of craftspeople in England. In one episode, a woman brought in a badly damaged clock which had fallen from its perch on a side table. The clock had been made in the 1800s, and as the horologist began to take apart and clean and repair the time piece, he discovered that on the hour wheel within its mechanism, there was a date wheel, yet, there was no corresponding place on the clock’s face to indicate a date. He explained that this oddity was indicative that a repair was made at some point with this additional foreign part. He noted, “That’s not a terrible thing, it’s just part of the clock’s life.”

I was struck by this. The idea that we are comprised of things not native to ourselves; life adds functioning parts to our brains and hearts that we were not born with. And we keep on, we keep time, we move forward. It isn’t good or bad to be acted upon, intruded upon in this way; it is simply the way of things. At first, it seemed beautiful, this idea that we incorporate into ourselves these non-native mechanisms, ways of functioning we might not have considered before. At the same time, I recalled the painful ways people have attempted to repair within me what they believed was broken. Too much this, not enough that, here let me help you. I once had a boyfriend who, when he believed I was not understanding his perspective, because I was not agreeing with it, would insist he was trying to help me. In these moments he would say my name over and over, so much so that I grew to loathe the syllables.

Well-intentioned repair can nevertheless leave us feeling altered, worse off than we were before; transformed in a way we didn’t chose. The clock metaphor becomes muddled, I turn it over and over in my mind, the tick-tocking heartbeat of it hiccups, starts, stops. I set aside for now.

Second, there was the iron table, my love’s, a treasured piece from his past. We considered its making. Weighed the notions of cast versus wrought.

Cast – poured into a mold; wrought – shaped by tools. I had never thought about the distinction before.

Later, as I walked the dog, I wondered whether love could be considered this way, as either cast or wrought.

I think of the molds we create throughout our lives, the way we shape ideas about what love is supposed to be, then pour our experiences into this fixed space. We expect everything to fit, our love to hold the shape we’ve told ourselves it should take. Alternatively, if or when we are wiser, we may fashion the shape of it as we go. We hone, engaging in an act of perpetual creation, knowing better now what any skillful craftsman knows: we must diligently attend to what we are making.

Still, I keep reconsidering these ideas and starting over, because the metaphor seems at once to have some truth, but feels a little flawed, maybe forced. It seems to want me to land on a conclusion, to go from an if to a then, to state something about strength or craftsmanship, but perhaps love is wilder and more organic than iron, whether cast or wrought. [Though, it is worth noting, that according to a quick bit of research, wrought iron is stronger than cast iron, and at least in this way, the metaphor comes together.]

Third, there was the buckthorn. Little buckthorn shoots are benign things, proliferate, but just another weed to pull out. Wait a week, and they develop enough root that a simple tug will not loosen them easily from the earth. Wait a few summer weeks, and they are saplings with trunks about one and a half inches in diameter, fully mature with berries, and possessing the thorns that give them their name, thorns as long as the trunk is thick, nearly.

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I woke this morning with a mysterious weepy red scratch between my thumb and forefinger. The mark sprouted like a little branch off of my life line, which is one of the few things I know of palmistry. Playing back my yesterday, I recalled my discovery of the thorns on the mature buckthorns. I remembered that when I was cutting up the saplings my love had felled in the little wayward woods at the back of the yard, I’d been snagged by a particularly determined thorn. This morning, I was struck by the placement of the wound it created, the scratch joining perfectly with the life line.

Of course, I cannot help but see metaphor here. My mind wends through possible meanings, maybe about the stubborn insistence of wildness to be in our lives, to shape us, to mark us. Maybe it is about how eagerly love thrives when the conditions are right, how quickly and sturdily it can grow. Again though, as a metaphor, it is faulty. To shape it to my purposes I must focus on the buckthorn’s heartiness and resilience, and little else.

So, as I wondered about this trio of metaphors throughout the day, I stumbled, often and roughly. What to do with it all? Why did I return to these ideas so adamantly – the clock, the iron, the buckthorn?

At the end of the day, what has made itself plain to me is this: there is a richness to life that offers itself up to us when we are of a mind to see it. I am happy to consider various ways of looking at a clock mechanism, the prettily wrought iron table leg, the buckthorn and its sturdiness and its thorns. It is a delight to contemplate deeper meanings, to cherish the beauty in the way objects and words wish to position themselves in proximity to each other, even if in the end, we determine these couplings to be inadequate ciphers for understanding the complexities of love.

My perspective this weekend revealed a world honeyed with meaning. I may not grasp it all, not all at once, but there is power in what we can glimpse of ourselves and each other and our connections in these little moments, in everyday objects and occurrences, when we allow ourselves the space to notice. Keep noticing. Enjoy the metaphors, even if they fall apart a little when scrutinized. Look at what the world nudges you toward and enjoy the wonder of it all.

Love, Cath

On Suns, Swimming, and Floating

By Catherine DiMercurio

{Sometimes you have to look at the sun.}

As my children get ready for the next part – for my son, beginning college, living away from home, for my daughter, beginning her junior year, formulating plans for what post-undergrad looks like for her – it is impossible to avoid looking at the sun of it all. Sometimes the shifts in our lives and relationships are small and gradual and we adapt to them almost without noticing the effort, but sometimes the shifts announce themselves brightly; they greedily signal their significance.

beach dawn dusk ocean
Photo by Sebastian Voortman on Pexels.com

Looking back, I see the inevitable trying too hard, the flurries of energy expended in multiple directions, the lack of calm that often characterized my efforts as a parent. I tried to be better than myself for them, tried to shape myself to tasks that shifted at the very moment I thought I know how to accomplish them, or at the very moment I realized I had no idea what I was doing. I tried to unmake the damage of divorce with deluges of emotion, with little proofs of the constancy and consistency of love, with notes, lots of talking, and sleepless nights full of worry, with hugs, cookies, gifts, lectures, as many meals together as we could, everything I could think of. I tried to pick up jagged shards of broken hearts, and puzzle the pieces back together. I tried to make everything count. I gave up sometimes, angry, resentful, tired, lost. I tried to relax, tried to not be cannibalized by guilt when I got things wrong, when either child was obviously hurting or struggling. I wanted more beach time and forests for us. More breakfasts, more stories, more magic – always. More pasta, too, and road trips fueled by potato chips and coffee. More holding hands. More laughter. More books, more lake-smoothed stones, more stars, moons, more wishes.

Sometimes I think of the curly brackets, or braces, these: {}, and I think being a parent is somehow like them, full of mysterious and elegant purpose, an effort to order, shape, contain the infinite nature of love. I admit, I don’t really know what they mean, for math, or language, and I don’t know what I mean, for my children, but I know that by some cosmic calculus, they have made me who I am, and that I am for them, always. Please know that, wherever you are. I am for you, always.

For me, now, I do what any mammal does when their young grow hearty and capable and ready. Send them off, let them go, and then I return to the den. After that, who knows. The nature shows seem to leave that part out, the camera follows the juveniles as they seek out new lives, not the lumbering mother bear or the lioness, or fox, or hare.

This is like any other part of parenting. You know you will be challenged and changed, but you don’t always know in what ways and you can’t quite predict how you’re going to feel about it.

I’m always amazed at our ability as parents to keep at it even once we realize that everything we do is focused on preparing our children to leave us. We practice goodbye, early, often. The first day of preschool is marked indelibly upon my heart and brain, the exact shape of the moment when I hugged each child, the way their arms felt around my neck. I knelt on the sidewalk. My daughter received and returned my embrace, tight, quick, and then she squirmed away to wait in line in front of the door. My son lingered, waiting, uncertain. He was always a naturally curious child who loved to learn but this sudden separation seemed unexpected and a bit unnecessary to him.

The separation that begins tomorrow is less unexpected, and is clearly a next step that he is more than prepared for. Our mutual sometimes-sadness is rooted quite simply in knowing we will miss each other, and in comprehending that his childhood has ebbed. Is it okay to regard this as a kind of grief for an ending, even though it is surrounded by the joy and excitement about what comes next? And we are, joyful and excited. For both of us, there is new, there is growth and learning, there is a fresh independence, and discovery.

I think of all the energy and urgency I put into parenting and I wonder what becomes of it, and does it turn inward or toward other relationships, or is it so unique to parenting that it exists for itself only. I’m sure it is different for everyone. I know I am not suddenly done parenting, but it is necessarily time to float instead of swim. I am curious what the coming weeks will reveal, if that will feel like a natural movement or a forced one. Will it seem as unfamiliar and urgent as learning to swim felt?

I wrote a while ago about trying to replace anxiety with curiosity and I do try to remind myself of this. A lot of my writing about this transition is a part of that effort, a way to pay attention to what our hearts and brains do during changes like this, a way to wonder and perceive. There is not dread here, only a surplus of emotion.

But surpluses do have a way of overwhelming us sometimes and I have found that this is one of the ways I teach myself about how to manage them. I think that is what we are called to do, perpetually, is to continue to teach ourselves how to manage the multiplicity of evolutions we experience in our lives. We learn, we lean on each other. We celebrate the joys and let ourselves feel the griefs and make ourselves and each other whole through all of it, through the celebration and tears and puzzling the pieces together and swimming and floating and leaning.

Love, Cath