By Catherine DiMercurio
Sometimes we feel fragmented, abstract; we are connected.
I keep unfolding this origami shape, trying to make a kite.
What’s the right way to look at the work we do? Does anyone notice the difference between folding and flight?
We are told to do the work, and we want to, and it comes as easily to us as flight does to a thousand paper cranes.
It is easy to believe we are doing it wrong. It is easy to believe that there is a dull ache, there are sore muscles, even when we are doing it right.
And everything is right.
Everything is all right.
I’m not not spelling it out in order to obfuscate; I wouldn’t do that to either of us. I’m not spelling it out because the test is wrong, and I know the answers, but not to these questions. We know everything, and we have never known any single thing.
I know this: I draw hearts in Douglas fir sawdust with my fingertip, believing always in yes, now, this.
We whisper wishes into night, day, storm, sun. We whisper gusts. We keep the kites aloft.
Some days I don’t know where to begin. I think of how hard our psyche rushes in the background, trying to escape remembered danger or pain that isn’t anything now, isn’t more than paper in a puddle, but we wake up exhausted anyway.
Sometimes we fool ourselves into thinking that the way we work is in a straight line, as if we don’t loop back around again, as if we won’t need to. And I think of the way a kite stays up, and the way when I was little, I ran in circles trying to catch the wind in the muddy field with my father. My feet in boots navigating slippery clumps of soil, heavy grey clouds churning above his head as he ran for the string that slipped through my fingers.
And I think of catching and holding, and running, and waiting for the wind, and fighting it, and those few moments in between when it’s all just grace and flight and lift and it feels like it’s no work at all.
Let’s give each other the space and grace to navigate, to slip sometimes, to falter. I’ll give chase for you.
Sometimes work is a four-letter word, the way we put ourselves back together every day, for ourselves, for each other. Do we privilege one audience over another, and why do we feel maligned for doing either, or both?
I’ve been gripped for the past several days by a certain melancholy I can’t quite source. Touching base with a number of people in my life, I hear they also feel marked in this way. I think about the things that we sense collectively, the cold heaviness of a loud, mean world. I think of the way it makes us feel separate, though we are feeling the same thing, each in our own way.
I think of this: sometimes the kite string doesn’t simply slip from our grasp because the wind was strong or because we slid in the mud. Admit it. Sometimes we let it go. Sometimes we woke up exhausted. And I think, I’ll chase that for you today. Will you help me start again, tomorrow? I think of the way I was given paper. The way I watched you transform a thousand origami cranes into kite, the way I managed to let the wind take mine again, though getting into the air in that day was a feat, and you said so.
Sometimes I try and take the view of the kite, and look down on the field, on all the endeavoring, and I’m struck by the earnestness of it all, by the web of string, the kaleidoscopic pattern of arms outstretched, by the chasing we are willing to do, for ourselves, for one another, even though you can only see it from this vantage point.
One thought on “On Cranes and Kites, Work and Wishes”
I think this one is my favorite. Also, for the first time in literal YEARS I had to look up a word. ❤