On Swimming in the Sun

By Catherine DiMercurio

Sometimes I just want to write about the sun, and the way, after so much chilliness, so many grey skies, it soaks into skin as more than just warmth, weighing more than light. I want to write about the way, no matter how many times I’ve written about pain or healing or difficult times, what I feel often, weaving through moments and days, is a sense of peace, warm and substantial as that sun. I want to talk about the way over the past two years, I have cleared away the debris of several past relationships, and set up camp within myself, creating the cozy, safe place I’d been longing for.

I write often about the things I’ve been working through over the years because it’s such hard labor, hauling away the remnants of collapse. And it helps. It helps me to talk about it and I believe it helps people who visit this space who might be going through similar things.

I don’t live in a rural area but a creek cuts through township where I live, and it feeds a larger watershed. The creek runs along the backyards of the houses across the street and in the neighborhood we see more wildlife than I expected to. Last night at dusk I heard an owl and this morning, geese. I routinely see deer, ducks, and groundhogs, as well as the expected neighborhood critters, like squirrels, skunks, racoons, opossums. Once there was even a heron, looking out of place in someone’s driveway. I love seeing and hearing this wildlife, though I always have the guilty sense of us invading their space rather than the other way around.

But there is pleasure in seeing these creatures in the unexpected place of this suburban neighborhood a stone’s throw from a big city, just as there are unexpected pleasures of working through the difficult challenges I often write about. I so often find surprising pockets of quiet in this busy neighborhood, and I am finding them more often in my mind too, much more often than when my bruised heart navigated one troubling relationship and then stumbled into the next before it could catch its breath. I was always looking for someone to feel like home, to work with me to establish the peace and connection I so craved. Of course I heard the messages of how you have to find these things in yourself before you can find them in another person. My sense at the time was something like, “yeah, yeah, I’m sure they’re in there somewhere.” But I wanted the solid, physical manifestation of those things—home, peace, connection—in another human standing right in front of me.

When my last relationship ended, I remember having the sense both that I needed to find those things within myself but also, that if I did, I wouldn’t care about finding them in another person, that I’d stop looking, and that even if I was happy being alone now, would I always feel that way? It was as if I was trying to satisfy my now self and my future self at the same time, as if I didn’t trust future me to figure out and pursue what she wanted. Because I didn’t. I didn’t trust future me to figure it out any more than I trusted now me.

But I knew my now self needed a break. Time.

And in this time, with all the debris clearing and the setting up of camp and taking stock and being with myself, I have discovered so much that I needed to find. While I’m still trying to rebuild a confidence I probably lost somewhere in early childhood, after one too many comments about being too this or not enough that, I have found ways to untangle the knots of anxiety that used to tighten so easily. It’s not gone, of course, and this would be obvious if you talked to the family members and the friends I confide in, but here’s the thing I learned: it’s okay to confide. That’s one of the reasons the knots are loosened is that I have learned to reach out, to receive comfort, to wriggle free of the shame that is so often attached to what society so often perceives as weakness. There is so much strength in knowing when you need to reach out, and acting on that, and so much value in developing those trusting relationships.

I also have found joy again in the delight I take in simple things. I never realized, until I laughed hard, alone in my house, over some silly memory or a joke I told myself, or a hilarious meme, how wonderful it is to not have to put a damper on your own happiness because someone around you is unhappy. I don’t know if I ever learned how to do that in a relationship. I always felt like I needed to mirror the level of happiness my partner felt, as if it would be offensive to be joyful while being near someone who was either momentarily grumpy or definitely suffering in a depressive state. I have found moments of unmitigated happiness in my yard with the dogs, or on a walk with them, as we curiously explore our neighborhood together. I’ve uncovered the thrill of learning the Big New Thing that is pottery. I have also written so much lately, delving in and drafting and revising and submitting, rediscovering how necessary writing is to my sense of self. I feel so foreign to myself if I miss my morning writing time, whether it’s the aimless wander of journaling or the wild creation of a new story, or the focused attention of revision. It’s no wonder, when I so often back-burner-ed my writing in my last couple of relationships, whether due to time constraints or the overwhelming anxiety I often felt about the relationships, that I felt so out of touch with myself. But I’m back, feeling curious and growing and working and writing and creating.

Photo by Guillaume Meurice on Pexels.com

Sure, I feel stuck sometimes, and I write about that candidly, but I also feel like a clever fish, freely frolicking in a big deep lake, swimming to the surface and warming myself in the sun and diving to the depths to explore. That is, I’m embracing a freedom that while scary sometimes is also deeply peaceful and wonderfully delightful.

My point is that for every point I’ve made in this blog about healing and how hard it can be, there is a complimentary point to be made about the reward, the value, the worth of it all. There is always compensation. There is always the awareness that what I’m building is the foundation for everything that is to come next for me. I’m creating the solid, physical manifestation of the home, peace, and connection I’ve been seeking instead of searching for it in another human standing right in front of me. It’s me. I’ve always been standing right here, but how easily we make shadows of ourselves when it seems like the right thing to do for other people, or because we forgot how to do anything else, or we never knew in the first place. But here we are now, in the sun, at last.

Love, Cath

On Creation, Waiting, and Time

By Catherine DiMercurio

I don’t have a record player but periodically I think of getting one and it seems every time I do, it’s after I heard a Tom Petty song. I recently listened to a snippet of an interview with him in which he was talking about the process by which he wrote “The Waiting.” You know that one. The waiting is the hardest part. Every day you get one more yard. You take it on faith, you take it to the heart.

He was talking about how a bit of the melody came to him and he played it over and over again for weeks, and then the chorus, same thing. He just played the same thing over and over. The snippet cut off after he talked about somebody knocking on the other side of the wall telling him not to play it anymore but presumably the rest of the song came to him this way, in pieces, over time.

I wish I could speed up processes sometimes, creative processes, learning processes, healing processes. It’s like I’m always waiting for my ability to catch up with my creative energy. My results don’t often match the vision I had in my head and I’m chasing the kind of book I want to write or piece of pottery I want to create. Or, the life I’m trying to build.

I look around at the things that seem to come easily for people and long for something like that for myself. I feel wildly impatient with my slow pace in nearly all things. Sometimes I feel as though I have the mentality of a perfectionist but not the talent, or results, to show for it. I am not meticulous. I am a messy learner with almost no eye for detail. I am full of earnest trying but am frequently wanting something more to show for the effort than what I was actually able to produce. I wake up too early and agonize over glazes I applied too thickly despite my best efforts in pottery class or fret over stories I’ve been submitting for years that keep getting rejected. I wonder, when is it going to all come together, and, what have I missed?

And then, things come together a little bit, all at once. Last year, I did get two pieces of writing accepted at literary journals and they finally were published this past week, within twenty-four hours of one another. And the glazes I’d been so worried about turned out fine, and I threw well that night at pottery class. I enjoyed it thoroughly, that moment where things coalesced in a brief way, knowing that such moments never promises anything. Any future success in either art form will be just as hard-earned and the waiting in getting there will continue to be the hardest part.

I look at all my impatience and I wonder where it’s all coming from and why it percolates everywhere for me. For all my striving toward self-acceptance, this feels out of place. When I step back, I can see that it isn’t there all the time, but it comes back to me, maybe when I’m feeling low about other things. I am trying to pause and consider why it matters so much that I learn faster, glaze better sooner, write and publish more now, etc. I think a lot comes down to validation.

If I’m producing “good” work in a visible way it’s proof, right? I mean, that’s how external validation works. We believe that if others can see something of our “goodness” or “value” then maybe it’s easier for us to believe in ourselves. Alternatively, it simply is enjoyable to feel seen, to have someone else confirm what we’ve been cultivating in ourselves, i.e., a sense of our own worth. For so long, I thought the goal was to not need external validation, that there was something wrong with wanting it. So, I worked diligently on trying to find where this need arose from in my past, how it came to be that I felt unable to sense my own worth. I work at rebuilding my sense of self in the same way that I create, revise, and re-create art in the mediums I’m working in now: clay and words. I’m continually learning how to be me in the same way, with the same habits of working and trying and reshaping and revising. I hum the same bars over and over for weeks. Still, I’m coming to understand that it doesn’t all have to be internal. We must feel safe and good and loved within our own skin, but it also feels good to have someone tell us good things. There’s nothing wrong with enjoying that.

Many people struggle with feelings of not being “enough” or “good enough,” and all for different reasons. I’ve dug into my own reasons, determined to understand them better, because I have found that the only way for me to cultivate healthy self-perspectives and habits is to use precise and loving language in my internal thought processes, language that responds specifically to the lessons and events of my life that wired my brain for self-criticism and an extreme response to anything that feels like rejection.

I am impatient with all this, but I think one of the reasons it takes so long to recover yourself from various types of wounds is that you often can’t face it all at once. It’s too much. It was too much for me to heal in a smooth and linear way and all at once from a twenty-year marriage ending in the storm brought on by my then-husband’s alcoholism and infidelity. Some wounds feel as though they change us at our core, forever, and after bearing the initial brunt of that pain, we begin to understand that the only way to survive it is to take breaks from it. We turn away, we look to others for help. Then we go back to it when we’re strong enough and rested enough.

Photo by Tima Miroshnichenko on Pexels.com

What I need is to believe that I have time. That I can keep conquering what I need to, that I can keep writing and learning, that there’s no need to rush. But we live in an urgent world that is always proving that nothing is promised, certainly not how much time any of us have left. But I need to believe that I have time, anyway. That my own pace for healing and nurturing my sense of self, for building my writing self into who she is becoming, for learning all I can in an artform as elusive and slippery as wet clay, is all sufficient. I need to believe that because whenever I try to rush things, something is sacrificed. Whenever I grow too impatient, I wind up falling into a dark place and my energy is then focused on pulling myself out of that instead of all the other things I’d rather be doing.

In a way, that’s my own version of blind faith: that I have time, that we all do. To keep creating the person I want to be, the life I want to have. My pace is neither fast nor slow, just mine, is what I tell myself. The waiting for it all to come together will always be the hardest part, because that’s where all the living is, in the waiting. The moments when things coalesce are fleeting, and the rest is creative energy at work. There is so much beauty and art in the waiting, even if it is the hardest part sometimes.

Love, Cath

On Not Knowing, or, (Not) Navigating Deep Water

By Catherine DiMercurio

I’m not sure why, but part of me still clings to this idea that the clarity I look for as I navigate some of the things I’m struggling with is something that will reveal itself to me as a shout, as a brand new beginning, the shiny other side of the coin, freshly tossed. I want to cross over along the timeline, from one side of a vertical line to the next. To say, definitively, I am here now.

But what the world has tried to teach me over and over is that everything is non-linear. Even a circle would be a welcome, familiar shape, but my life is not that either. Despite the continuity of my days, my carefully cultivated habits and routines, my inner world zig zags, soars and dives, as much as the chaos of the world outside my door.

I began writing this several days ago, firmly convinced I understood my mindset on a particular issue. I had decided I was Done, yes, with a capital D, with dating apps, Done searching for a partner, Done with the false (?, hopefully false) urgency of a timeline. Done with that feeling that I would somehow run out of chances or will or heart if I didn’t meet someone in a certain number of months or heartbeats. I don’t think there is a biological clock to this part. Though, I suppose future-me might wake up one day and wish I had tried harder sooner. But we do what we can, when we can. Don’t we? Don’t I? I mean, it is already too late for some of the dreams I once had. I have run out of time to ever celebrate a 61-year anniversary with someone, as a friend’s post about her parents celebrating their anniversary reminded me. I once had dreams of celebrating those types of anniversaries, but I’m aging out of that possibility. Letting go of that, as I’ve tried to do for some time now, means there really isn’t a clock ticking in that sense anymore. If I do meet someone, I’ll likely wish we’d had more time together, whether I met him tomorrow or in five or ten years.

So, I had let myself be Done. For now. For as long as it feels good to be doing the kind of growing and listening to myself as I’m doing now. Until I know how to do that no matter what. Until it’s like breathing, and something that won’t be abandoned like an ill-conceived New Year’s resolution the second I’m dating again.

Because I don’t want to go back to that way of loving, and I’m scared that I will. I wonder, was the reason it felt so good to be completely consumed by a relationship that I had little knowledge of or respect for myself? Did I enjoy losing myself because myself was such a flimsy concept, easy to let go of, so much so that I didn’t realize that she was lost?

Before I decided to be Done, I had grown more careful, deliberate, about who I entered into conversation with on those apps. I didn’t want to enter into anything nonchalantly. If I was going to expend my limited social capital, it had to be on someone I thought there was a chance with. I didn’t want a collection of first dates with men I didn’t plan on seeing again; I wanted to meet someone who was also looking for something long term, not just gathering with me out of sense of gathering loneliness.

I’m not lonely, which comes as a surprise to me. I have periodic moments or hours, maybe even a day or two at the most, of deep, sharp loneliness. But it is something that happens to me and falls away. It isn’t what I am.

I’ve leaned into that. What does it mean, then, to not be pursuing a relationship? I have always been in a relationship, or in between relationships. Being single but open to something happening still felt for a long time like many things: expectation, hope, wish. The natural order of things had been, for so long, that I was partnered. I always thought that I was a better me with someone else, but I didn’t have much to compare it to. If my time alone were drops of water, they would have filled a few drinking glasses, whereas my time with a partner over the years, between my marriage and my post-divorce relationships, filled up bathtubs. A swimming pool maybe. But, on my own, I am something else entirely. Something that can’t be measured by way of shallow, domestic containers. On my good days I feel like a lake, carved fathoms-deep by ancient glaciers. I have always been this same person, even when in relationships, but I didn’t know her yet. And if I didn’t, neither did the men I was with. How could they?

I often feel slow to understand things. My comprehension feels impaired by an onslaught of input. I’ve regarded myself as deep-thinking, but not quick-witted. Brains work differently. Mine is full of images and words, teeming with them. I can only handle so much external input at a time. So when I look back at what it was like to be in relationships where I prioritized the needs of my partner over my own (and unpacking that tendency is a whole different series of essays) it is no wonder that I have been slow to know myself. Think of all that additional input! Not that you can’t learn anything about yourself in a relationship. I can and did. But because of the way I was going about being in a relationship, there were things that I couldn’t learn about myself until I was on my own.

But for some reason I felt as though I needed to commit to the idea of being Done. To say, I am here now, on this side of that line. I felt as though I had to say, I know exactly what I want and it is this. That way, I know what to do, or not to do, next. When I had a tug of longing to be with someone, I then wondered, did I commit to the wrong idea, the wrong game plan? Do I still want to find someone?

The bottom line is, I don’t know, and I’m not comfortable not knowing what I want. It feels like failure. It feels like lack of insight, not knowing my gut. It feels wrong, and as if it must be remedied. It feels like wasted time. If I knew what I wanted, I could pursue it, and get on to the next part that much faster. It feels like something I ought to be ashamed of and I’m not sure why. Maybe it is because by now I should have this part figured out?

How can I not know what I want? I feel like I was always supposed to know. What do you want to be when you grow up, where do you see yourself in five years, etc. We’re supposed to be able to visualize it so we can manifest it, right?

I think one of the reasons I don’t know what I want in terms of a partner is that I’m figuring out what I want in other areas of my life. I know that I want to continue to pursue both writing and pottery, and I know that I can’t do either of those things without my “real” job that keeps a roof over three heads, mine and the two dogs. And I want a big enough roof so that when my kids come home to visit everyone has a place. And I want to nurture relationships with family and friends, connections that mean so much to me, that have on and off over the years been largely neglected when I was busy being totally consumed by romantic relationships that I let swallow me up. All of this adds up to a fullness I didn’t realize was possible. Sometimes I can’t imagine where a partner would fit into all that, possibly because I’ve never had a partnership where the fullness of both people’s lives was respected and nurtured in a healthy way.

I think the most important thing for me right now is the idea of embracing the mindset of not knowing, instead of fearing it, or, embracing it and the fear. It’s a little like swimming in deep water with no shore in sight. Yet, when I think about it, when we struggle with understanding ourselves, we are, in a way, both the swimmer and the deep water. We can keep ourselves afloat, or we can pull ourselves under. We are vast and deep, not easily navigated, and there is no shame in that. Oddly, what I am finding, is that a person can be true to themselves without having it all figured out.

Love, Cath

On Lanterns, Looking, and Home

By Catherine DiMercurio

Many people have been inspired by the line Emily Dickinson wrote to a friend, “I am out with lanterns, looking for myself.” It struck me today too, as I came across it again.

Recently, I was texting with my firstborn, about various things, but the conversation turned to the idea of home. Several months ago, I helped them and their partner move from the house they’d been living in with too many college housemates into their own place, one of those quirky Ann Arbor apartments comprised of a collection of rooms in an older house. It is cozy and suits them. My child was telling me that they finally have a place that feels like a home that is their own. This delights me: my child feels safe and happy, in their own place, in a healthy relationship.

Less recently, though it still feels like yesterday to me, I moved out of the house I’d lived in for twenty years, raised my kids in, lived the best and worst years of my marriage in, into this little ranch house in a different suburb, not far away but very far away from where I used to be. And I only feel that my new house is home some of the time. I do love what I’ve built here, that this house is a reflection of my personality, filled with books, watercolors, pottery, artwork from friends, and dogs. It is cozy and it suits me. But sometimes, it doesn’t feel quite exactly right. It’s like a newish shirt you mostly love but when you put it on you remember that the tag is itchy. Sometimes. Other times, like now, everything feels safe and good, happy and peaceful. It’s early morning and I’m drinking coffee from a mug I threw and glazed myself. I’m snug under a blanket I crocheted years ago. The puppy is cuddled up next to me. I’ve decorated a small tree—my solstice/Christmas/winter magic tree—and strung up some colorful lights. I feel lucky. I have created peace and stability for myself in a way that several years ago I wouldn’t have ever thought possible.

When I feel restless, or have that what am I doing here feeling, I know where it comes from now. When loneliness hits, it is usually from two directions. One is from the past, from the part of my life where I woke up in the same house as my children for the first 18 years of their lives. I don’t think it matters how full your life is as an empty nester; part of you is always aware that the loss you know was coming is happening. That empty space takes up space. The other direction loneliness attacks from is from the future. We all have points in our lives, after the loss of a meaningful relationship, where it feels as though the future we had anticipated is being erased, like an Etch-a-Sketch turned upside down and vigorously shaken. As new relationships unfold, we wonder, is this the future, beginning to take shape? When those dissolve too, it feels like starting all over, with the future blank again.

I also keep forgetting that “the future” is not a single fixed point. It is hard to embrace the idea that nothing is really fixed, as in, a single unchanging point in time, and fixed, as in finally and fully repaired. Everything is in perpetual motion, our healing, and where we’re headed. What happens next is the same thing as how am I continuing to grow, and it appears in my mind like night, with a sky full of stars, and I’m out wandering, with my lanterns.

Photo by Burak The Weekender on Pexels.com

And all of this is tied into the idea of home for me. The house I currently live in blinks on and off, in a way. It feels like home, and then it flickers, and the feeling fades, and then it’s back on, steady as ever. What I’m beginning to realize is that it is less about this house and how long I’ve been in it, and whether or not my kids have lived here, and more about me being at home with myself. This feeling is getting stronger and stronger with me, after years of faltering, and looking for home in someone else. I didn’t even know that feeling that way about myself was possible, or important, until recently. It’s beautiful to think of home as either where you were raised, or, being with the people who love you regardless of your physical location or place of residence. But feeling at home with yourself, knowing that you are the safe place and you are the someone who loves you, that is something else entirely. I love that this is happening for me, that I finally thought to look for it, and that the feeling is becoming fuller and steadier.

Sometimes when I’m out with those lanterns, I’m not really looking for myself anymore. Sometimes I’m feeling found, and I’m just enjoying a starry walk with myself. But I do know that everything changes, especially selves, and that I am no more a fixed point than anything in future. So, to some degree, I’ll have to be out looking with some regularity. Sometimes that’s a scary thought and sometimes I’m just tired, but it feels important and necessary.

I keep returning to these same ideas over and over but sometimes we need to keep hearing the same message, whether from ourselves or from outside sources, multiple times as we learn and grow and acclimate ourselves to new ways of looking at things. For me, this is part of being open hearted. To grow, I need to be patient with myself, with the way I learn and the pace at which I learn. So I’ll be out there with lanterns, as usual. Maybe I’ll see you there.

Love, Cath

On Incongruity and Metaphor (Or, On Not Giving Up on Yourself)

By Catherine DiMercurio

If you follow this blog, you know my approach: I write about things that are going on with me—in my head, and in my heart, and in my life—in the hopes that it reaches someone who might be going through something similar. Someone who is thinking/feeling the same thing and feeling crazy or isolated or scared because of it. I try to say quietly and loudly and slantwise and head-on, you are not alone, you are not alone, you are not alone. Because it is so easy to feel that way. To think that. To be trapped in the thought patterns that keep us feeling like we have no one who can relate to us. Writers are often told to write the book they want to read or that they feel is missing from the world. While I do keep trying to do that with my fiction, I’m also trying to do that here: write the words that I feel should be out in the world.

This may or may not be true, but I imagine there are plenty of people in the world who have long felt secure in themselves, who aren’t troubled by anxiety or depression, who might stumble on my blogs and wonder what is wrong with that person or geez, another one about self-trust? Or, why isn’t she over some of this stuff already?

But I’m writing for the people who feel things deeply, who have maybe have given too much of themselves away and in doing so, created on their heart a soft surface where blows leave marks that last a long time.

I do feel like a broken record sometimes though. I wonder if I’m ruminating too much. I’m weighing all the advice about feeling your feelings and processing things and trying to make sense of it all and figuring out what is next, and when, and how, and why. It’s a lot, isn’t it? Life is a lot, for everyone.

This week was full of difficult anniversaries of things and a terrible dentist appointment and if it hadn’t been for a couple of texts, messages, and phone calls, along with an enormously satisfying throwing session in pottery, I would have struggled a lot more than I did. Though, the week did not end without tears.

I realize sometimes that I almost let pottery slip through my fingers. It would have been easy in the beginning to do the thing I used to do: not try, or not follow through on something that I knew I was not going to be good at right away, or at all. I was very discouraged that initial semester.

I think if I had started pottery even just two years ago, I might have given up in those early months. Might have powered miserably through the first semester and never taken another class. Might have told myself “You’re never going to get the hang of this. You’re too uncoordinated. It’s too hard.”

When I was feeling frustrated and like I wasn’t learning fast enough during that first semester, I bought a wheel, a cheap model I ordered online. I practiced at home. I reduced the amount of time I was “failing” publicly. In a way, I outsmarted myself. I knew the biggest obstacles to continuing with pottery were the feelings that everyone was better at this (and many were; there were a lot of returning students) and the huge—though needless—embarrassment I felt that I was slow to acquire skills and techniques everyone seemed to possess already. Even the other new people seemed to learn faster than me. But practicing at home, privately messing up and starting over and over, was what enabled me to get more comfortable with the clay, and with myself. In a way, I was battling a lot in myself. There was a part of me who desperately wanted to keep doing this, keep trying, get better. Keep playing. And there was the uncomfortable, anxious, critical part of me who fought back. That part is vulnerable and self-protective, and I have been working so hard to heal it. I couldn’t tell myself to just toughen up and push through, though. Pottery—or, a deep longing to explore this medium—both encouraged and enabled me to have these two disparate parts of myself start working together.

First, I had to stop telling myself never. I stopped saying, “you’ll never figure this out; you’ll never be good at this.” Instead, I’d ask people how long they’d been doing pottery. I’d gauge how long it might take me to feel more proficient, and I introduced the term yet into the way I talked to myself about my efforts. I haven’t learned that yet. I haven’t mastered that yet.

So what was the difference? How was I finally able to get to a point of mediating between these two competing parts of myself, both very childlike, one wounded and wary, one playful and enthusiastic? How did I not fall into the usual trap of avoiding something I couldn’t excel at quickly? It’s hard to pin it down, but I think one reason this lesson finally “took”—after years of similar internal battles—was because of the things I’d been learning about myself after my last breakup. I told myself a lot of things in that relationship that did not serve me. One of them being that I had to make it work because I was 50. I had reached the cutoff point I’d given myself. I didn’t want to start over with someone new. I tried so hard to mold myself into who I needed to be to make that relationship work, except, that person was a shadow-me. That person couldn’t, or wouldn’t express what she needed, and felt like she ought to not need anything at all, since needy was bad, right? But when it began to feel all too incongruous with who I was, I talked myself into changing course. I talked with my partner about what I needed and hoped for, and it soon became clear that we weren’t good fit after all.

One of the lessons I learned from that experience, the one that helped me stay in pottery, was to stop saying things to myself that make things worse. Just as I needed to stop telling myself to “make it work” in that relationship, I also need to stop telling myself that I’d never be able to center the clay or pull up walls or make a cylinder. I needed to stop saying that I’d never be able to do it or never be good enough.

At the end of the relationship, the incongruous feeling I was having centered around the me I knew I was, and the me I was telling myself I needed to be to make the relationship work. By the time I was taking that first semester of pottery class, I was starting to get more and more comfortable with listening to myself, to watching out for what made me feel less like myself (whether it was my own words or someone else’s). What was incongruous that first semester was the part of me saying give up. Most of me didn’t want to give up. But I had to have a long, difficult talk with that other part of myself who kept saying I should.

[Disclaimer: there are obviously times when it makes sense to try with everything you’ve got to make a relationship work! There are plenty of relationships worth fighting for. The ones that are worth that effort are those in which you do not have to be someone you aren’t for it to work. Yes, both parties should be willing to compromise, but you compromise about preferences, choices, behaviors, not who you are, and not the essentials of what you need. Some key questions (among many) to ask yourself: Is it safe to be myself? Am I becoming less of who I am in this relationship? And are my efforts to improve the relationship being matched and reciprocated? No relationship is worth disappearing over, and both people should be giving it everything they’ve got.]

Sometimes in my current pottery class, I still get overwhelmed with how much I don’t know. Sometimes it feels like beautiful, endless, possibility and other times I feel small and uncreative and like I can’t tap into whatever it is I need to in order to grow, to feel like I’m as much of an artist as the other people in the studio. I still feel like I’m learning rudimentary skills. But after a great throwing day, where I pushed myself and made some larger pieces, I took a look at everything I threw and thought, I’m a potter. I’ve said it before, even put it in a dating profile, but this was the first time I’d thought it and felt it. It took eleven months to get to that point, and it has been worth the effort.

I love it when a metaphor presents itself to me. I used to say that running is a metaphor for everything, and it is. So is pottery. The world is full of metaphors rushing to in to help you understand the meaning of effort and beauty and reward and . . . self. How we return to ourselves is one of the most important journeys we can ever embark on. Wishing you peace and insight as you find your journey, and the metaphors that become your maps.

Love, Cath

On Music, Muscle Memory, and Mattering

By Catherine DiMercurio

One of my earliest memories is of sitting next to my maternal grandmother, my Busia, on the bench in front of her shiny, black piano. She was a beautiful pianist and she was teaching me to play. I don’t remember much about how I felt about the music, but I loved being next to her. I felt safe and good. With her soft, dry hands she would position my fingers over the keys.

The essay I thought I wanted to write came to me all at once, and it began there, on my grandmother’s piano bench. It was about the way the ensuing lack of music education in my life shaped me, the way some absences do. And while this version of my history is not wholly untrue, something felt . . . out of tune.

At home, we had a piano in the basement, and I remember not wanting to go down there because it was cold and I didn’t like being by myself in the basement, but that’s where I had to practice. I plunked away at “Michael Row the Boat Ashore.” But it wasn’t the same, sitting there by myself. And then, we moved to a small apartment, and we couldn’t take the piano. We still saw my grandparents frequently, but somehow the piano lessons drifted away.

Later, I wanted to get into the school band program. At my school, fifth grade was when students could select an instrument and join the program. My sisters before me had elected to do so, with one on the clarinet, and the other on the trumpet, but they didn’t continue for very long. I longed to play the saxophone. Instruments were, and are, expensive and my sisters’ instruments were used. M y family suffered a financial setback, and buying another instrument, for me, wasn’t in the cards. (My younger brother would go on to play the saxophone, and my baby sister, born after I was in college, would excel at the flute.) Somewhere along the line, I turned to writing. Cost was not a factor here. I began with a diary and a journal full of poetry.

I think, in that almost-essay, I was looking for my “origin story,” as a writer, and believed I had found it once I began excavating these memories of my desire to pursue music and how I turned to writing. But the fact is, I didn’t find writing because of a thwarted musical pursuit. I think if I had connected with music more, I would have gone after it again and again and again, which is what I did with my writing.

As an adult, I have periodically tried to teach myself piano, with the help of a keyboard my ex-husband and I bought for the kids one year. No one played it much, the kids gravitating toward stringed instruments and excelling in their middle and high school orchestras on the violin and cello. Trying to teach myself piano was a struggle. So many things are easier to learn when you are young. Still, I sing around the house, old songs that get stuck in my head, little songs I make up on dog walks. I sing in the shower and in the car. It isn’t as if music-making is completely absent from my life.

But all this thinking about the way music wasn’t a part of me the way it might have been underscored something else that I’ve been feeling lately. It’s as if I’m caught between two things: wanting my existence right now to have been imbued with a history that it wasn’t, and trying to figure out how to make the future what I want it to be. I wonder which dreams it’s too late for, and which are the ones to pursue.

There is a poem by W. S. Merwin, “Separation,” that reads: “Your absence has gone through me / Like thread through a needle. / Everything I do is stitched with its color.”

I read that and I thought about several things at once. One was music. I romanticized the absence of it in my life. And though I have truly felt that absence as a pervasive presence in my life, I think I was using the music thing as a cover. Was I actually feeling the pain of a different absence? I thought about my past romantic relationships. I don’t feel the way Merwin describes in his poem about any of men from my past. When my marriage ended, I did feel that way, but not about who my ex-husband was at the time. I was mourning who he used to be, what we’d once been to each other, and that’s what stitched its way through everything that I did for some time. Still, that feeling has dissipated to a faint echo over time.

But I wonder now if the reason that poem resonated so much with me is because I gave so much of myself away for so long. To the world, when I wanted to be accepted, to the men in my life, when I wanted to feel as fully loved as I was loving them. Maybe the true absence that has threaded its way through everything was me, the me that was loving everyone else so fiercely because I never even knew that you were supposed to love yourself. And by the time I learned how important that was, I had no muscle memory for it, just like I have no muscle memory for piano. A few piano lessons when I was very young did not etch themselves within me, nor did any innate self-love I possessed survive what the rest of my life was teaching me, that selflessness was a virtue, that pride was a sin, arrogance unattractive. Many women of my generation had a similar experience, where we heard mixed messages: you can be anything you want, but also, cultural and religious messages told us not to be too bossy or smart or sexual or strange or confident. Reveling in one’s self-ness was selfish.

An old friend and I were talking recently about enough-ness, about a self-identity not constructed out of purpose and mattering. There are [rare] times when I believe with my whole being that regardless of anything that I’m pursuing or achieving, I am enough. That be-ing is enough purpose in my life. But more often than not, I feel compelled to demonstrate worth, to feel like I’ve accomplished something, to have a larger purpose. To matter. But isn’t it enough to be the central thread stitched through my own story?

It’s no wonder then, that something in me wanted to push toward an origin story, to shine a light on something that underscores who I am, and what I want to continue to be. There is a type of coming of age story, a subcategory for coming of age as an artist: Künstlerroman. I wanted that story. I’ve talked to other writers who identified music as an artform they pursued before they found writing. They mention ways in which a serious musical pursuit was thwarted for them, so writing both filled that artistic need and opened new doors for them. Maybe I wanted a little bit of that, something like an artist’s journey, as if my sitting in my bedroom with a little grass green notebook—which I still have—penciling in poetry was not the beginning of a story that mattered.

Yesterday I took the day off work. I was feeling myself spinning out and away like a loose spool of thread, coming all undone. I made sourdough pancakes and listened to BBC world news while I ate breakfast. I stared out of the window at leaves I have no intention of raking anytime soon. I hoped the dogs would continue to sleep quietly and not need anything from me so I could just be. Self-love can be as difficult to learn as the piano, but I have learned enough to know when I need to regroup. I’m trying to hold on to being over mattering, to enough-ness. I’m focusing on being a bright thread stitching its way through everything, instead of letting my own absence weave its way through my story. Maybe one day I’ll develop more muscle memory for it, and my heart will know how to do it as effortlessly as my fingers can fly over this keyboard, typing out these essays, which are really just a kind of love letter, from me to you, and me to me.

Love, Cath

On Love Letters and Pancakes

By Catherine DiMercurio

Pancakes are love letters I write to myself on weekend mornings. Yesterday’s were slathered in vegan butter and a syrup made from mixed berries and turbinado sugar, since, shockingly, I was out of maple syrup. I have a long history with pancake-as-love-letter. I used to make them for my family when the kids were little. It was a favorite treat. Every once in a while, if I was up early, I’d make them on a school morning and the kids would be surprised and delighted to have a break from their usual school morning fare of toast and tofu, cereal, frozen hashbrown patties hastily heated, smoothies, or whatever else we threw together. When we’d have neighbor kids over for a sleepover, I could easily be cajoled into making chocolate chip pancakes. All of this was a way for me to say, let me do this for you, make you feel welcome and delighted and full-bellied. Comforted and loved.

Once, when my marriage was building toward its demise, and it seemed like my husband had gradually evolved into someone I didn’t know, who didn’t know me, I made pancakes on a Saturday morning and called the family to the table for breakfast. He sat down, reluctantly, in front of the steaming plate of love letters I’d placed in front of him. “I don’t really like pancakes,” he said. He didn’t even say “anymore,” as I recall. It was as if he was telling me that all along, he’d never liked them, and all along, he’d let me labor under the delusion of my delight in feeding him this treat. All along, what I knew and what I thought I knew were different things. Some seemingly mundane moments like this etch themselves into your soul and you try and talk yourself out of letting them mean too much, but later you are able to understand why it hurt so much more than it “should” have.

Later, after the divorce, after the rebound boyfriend summoned from my college days (for whom I made gluten-free pancakes), my first real new boyfriend spent the night for the first time while the kids were away. I made him pancakes in the morning. I delighted in how much he enjoyed them, how pleased he seemed to be in my space, sitting at the dining room table with me over pancakes and my syrupy love notes. I fell in love easily then, though that relationship did not last long, nor did the one that followed. I have a pancake story for that one too, but like most of the love notes I offered then, the reception was lukewarm.

Now I make pancakes for myself and it still feels like a special treat. Yesterday, I needed to feel taken care of, so I made myself the aforementioned pancakes. It started out just as something that sounded good but as I began mixing the batter, I thought of how satisfied I felt whenever I bothered to make myself a good meal instead of just scraping something together because it’s “just me.” So I completed the task with more deliberateness, thinking about why I was feeling the need for care in this moment, and also being grateful for being tuned in to what I needed. Even just months ago, it was challenging for me to consider both what I needed and figure out a way to get it. It was no easy task to make myself feel loved. To allow myself to feel loved. By the people in my life, by myself. Being partnerless felt burdensome, heavy, huge. It felt like an enormous cloud that shadowed my life. I felt that, theoretically, I loved myself, but I sort of waved away the notion that such knowledge could do anything to assuage my grief or loneliness. Now, I’m able to enact that love in different ways, to sit with emotions that need attention, to take comfort in a thoughtfully made meal, to pull myself away from the damaging loop of anxiety-thoughts by going for a walk or heading to the pottery studio or playing with the dogs.

It’s taken me so long to learn how to connect all these dots. For most of my life the messaging around me was that there was something wrong with prioritizing oneself. We don’t really learn how to do it. I didn’t. Or that we can, or should. For me, it has been so much easier to do now that I haven’t been in a relationship for a while. A year ago, I would not have imagined that I would come to think of the ending of my relationship as a gift. At the time, I felt I was making a healthy decision for myself but it was still a painful process and a grieved ending. It has taken me these many months to get to the point where, beyond knowing what I want in the next relationship (when/if that happens for me), I know myself so much better. Further, I know myself better for the sake of myself, not for the sake of any past, present, or future relationship. In the years since my divorce, I’ve been doing this work, but having this time entirely to myself for the past year has allowed me to further those efforts, to be more conscious, aware, and deliberate about my wants, needs, choices, preferences, and so on. To be clearer about my motivations and my triggers.

Obviously, as a human, I still desire external validation, connection, conversation, etc. I’m learning what it means to feel wholeness and peace and at the same time desire connection and community. They aren’t mutually exclusive. I also have bad days where nothing seems to help. I’m still a work-in-progress. We all are, and there is so much beauty in that. The people I’m most drawn to are those who possess that same awareness.

Pancakes are not the only love letters I write to myself. When I look around my space and see houseplants in every room and jars of found objects—pinecones, driftwood, rocks—I see all the ways in which I bring nature inside so that it is all around me, because it calms me and centers me. Every little stone I’ve ever pocketed or tucked inside my beach bag was a way of me saying to myself, trust me, you’re going to need this later.

So, if you’re reading this, take a moment amidst all the loud clatter and chaos that seem to be the norm of the world around us most of the time, and think about what little love note you could give yourself today. Is it cooking a comforting meal, writing an actual note, going for a walk, picking up a lucky penny? Maybe it is pouring coffee into your favorite mug, and stepping away from work for 15 minutes outside. What are the ways you’ve expressed love for others in the past that you can offer yourself now, like me and my pancakes? It’s worth thinking about. You’re worth it. I am.

Love, Cath

On Playfulness and Practice

By Catherine DiMercurio

In the days that have passed since I returned from the camping trip I wrote about in my last post, I have struggled with exactly what I feared would happen. When I was spending my days in the woods or on the beach, feeling my anxiety get up and take a long walk away from me, I wondered what would happen when I returned home to the things that typically trouble me. Would I be able to hang on to that feeling of being both weightless and grounded, or would I get pulled back under the worry? I wondered if my mindset on the trip meant that I had turned a corner, arrived at someplace new, someplace I could stay and set up camp, so to speak. Or was it temporary, just vacation brain, and nothing more?

While I believe I sort of “leveled up” in my thinking, in my ability to acknowledge my full self and to lean into self-trust in a way I haven’t been able to fully embrace for a painfully long time, I have also realized, in the days since my return, that living in that mindset takes practice. Now that I’ve been there and know how it feels and understand how I got there, I realize that it will take effort to find my way back to that way of thinking sometimes.

I’ve been thinking a lot about practice lately. With pottery, it is easy to understand the importance of practice. At any point you might have a day where it feels like you never learned a single thing. Once I began to be able to center my clay on the wheel consistently, for example, I thought I had reached a certain level. I had this, my muscles had developed the memory they needed to always be able to execute the task. But, I learned quickly that it doesn’t work that way, and that practice is as much about building muscle memory as it is about teaching yourself how to fail. How to not get thrown when you can’t throw. How to make practice feel like play. When my brain insists that I need to accomplish something right now, so that I can prove to my instructor, my classmates, or myself, that I’m learning, that I deserve to be here, that I am a potter, I get frustrated with myself. I create pressure and urgency that impacts my ability to throw the way I want to. I get embarrassed if anyone notices, or mentions that I seem stressed. Then the embarrassment (shame by another name) compounds that feeling of failure. It is difficult, but I am learning that I must practice changing my mindset before I reach that point of frustration. And I do know how to do this, even if I’m not always able to execute. When I haven’t created a sense of urgency for myself, I’m able to say, after messing something up, oh, well, it’s just practice. And I believe it.

A writing friend and I were talking about this recently too. I realized that playful practice is the point of the writing prompts we’re experimenting with. It’s about being open to creativity, and urging your brain to set aside the frustration. You just write without judgement. You are not writing for a deadline or a purpose other than exploration. It’s just play. And unless you are trying to win something that’s all practice needs to be.

The only reason why I have created pressure around the notion of practice is out of habit, out of a cultivated perfectionism predicated on a lot of wrong ideas about love and worth. The benefits of practice, in terms of progress toward your goal, are more easily evidenced in the absence of urgency. At least for me. As soon as there is the pressure of time—I need to learn this faster, be able to demonstrate progress sooner—whatever I’m practicing gets worse instead of better.

Do we practice to improve, or do we practice because we enjoy something, and improvement is a side benefit?

And how does this relate to being able to maintain a healthy mindset and sense of identity like the one I found/embraced/earned when I was camping on the shores of Lake Michigan? Cultivating that mindset is something else that benefits from playful practice. It’s hard not to think about consequences. If I have a bad throwing day or write something that’s terrible, it does not matter at all. But if I fail to approach my mental health in the right way, the consequences are more serious. My anxiety starts to call the shots, and it changes who I am, how I want to be. If I don’t approach it with a light touch, all I can think of are the consequences, the what-ifs: what if I can’t get back there—to myself, to self-trust. What if I forgot how?

Here again, play is the answer. Play is the way back. Play is how I found myself. All I did after the “work” of setting up camp was to listen to myself and do what sounded fun. The challenging hike was something I was anxious about at first, but aside from the bear scare, it was an uplifting and joyful experience. So was waking up to the sunrise over the lake and listening to the waves. So were campfires, and games of solitaire in the tent while it rained, and reading book after book on the beach, and swimming, and rock hunting, and more woodland wandering.

Being playful is something I need to practice. So today, after a stressful week, I decided that nothing bad would happen if I didn’t sweep up the dog hair or clean the gutters, and I took myself to the beach. I read my book. I ate marshmallows and toasted almonds. I swam and waded and people-watched. i watched the clouds and the sea gulls.

Photo by Nick Nu00fau00f1ez on Pexels.com

I have spent so much time over the years doing “the work.” That is, trying to understand and to heal and to grow. I’ve had experiences that seemed like detours or roadblocks, but they were all part of the process, in their own way. But in all that time in my head, thinking and reconsidering and exploring new perspectives, it was easy to overlook the point of being playful. I try to be open to and observant of joy, but I don’t always make opportunities to welcome it, to seek it, grow it. I’ve always had a bit of a Cinderella mentality in that I usually feel like I don’t get to do something enjoyable unless I’ve finished my chores, been productive, done my work. But it is in play, in doing the things we find enjoyable, however silly or small, that we can get in touch with a safe and happy place within ourselves. And when we feel safe and happy, we trust ourselves, we are buoyant, relaxed. There is no anchor of anxiety pulling us down and holding us back, holding us under.

Who would have thought that you would have to practice being playful? Not everyone does, but if you’re learning or re-learning this too, I see you. Have fun! Your very own kind of fun.

Love, Cath

On Slow Dancing and Wet Sand

By Catherine DiMercurio

Yes, but are you happy? is a question that we chase each other with. We want it for our loved ones, maybe more than we even want it for ourselves. It certainly means something different for each person. I have long wondered, is the “point” of life to be happy? Is it to have purpose, to make the world a better place? To simply survive it? Is it something else? This of course leads down a philosophical road. Depending on your larger belief systems about how we got here and what happens after, the question of the “point” of it all is going to be answered differently. But certainly happiness is something we all want.

Recently, after a period of feeling quite good for a long stretch, a collection of troublesome things happened and I found myself slipping toward the edges of the dark mental space that it can be hard to climb out of. Is happiness real if it goes away when life gets tough? Why does it feel so ephemeral for some of us, and others seem to find it wherever they go?

I used to think that happiness meant spending time with the people you love, but when the people you love exit your life, or they live far away, or the people are your adult children, building their own separate lives, you realize that if your happiness depends on time spent with anyone but yourself, you’ll never be happy.

So, then, is happiness doing the things you enjoy? Pursuing what you love? This seems obvious. Of course, we are happy when we are doing the things we enjoy, but how do we retain that sense of happiness when we are done doing the thing, when the hike has ended, the garden planted and weeded, the sunset on the beach viewed? How do we retain it when we are making dentist appointments or paying for expensive car repairs?

I am not saying that I expect or even want to be happy all the time. There are times when other emotions can and should be foremost in our hearts. I’m talking about happiness in terms of a calm, centered peace that we can hang on to when life gets bumpy, that we can find the path back to once we’ve dealt with some of the more serious things that life throws at us.

If happiness is that peaceful, centered state, is it accurate to say it is a reprieve from anxiety/fear/doubt? And how do we cultivate that? How does anyone, if daily there are battles with physical or mental health, or with financial woes, or any number of things that rattle the calm, that busy us and keep us buzzing and unable to be still and settled?

And some days, sadness feels like thick wet sand, cold, gritty, clinging.

I’m trying to learn how to process heavy emotions. To slow dance with them and listen to what they are trying to tell me.

The trick is to know when to stop. My old habit when I’m feeling that deep down tug of sadness like there’s an anchor inside, is to sink, stay with it, fall into myself. Here in the dark, I can see that the enemy of happiness is not exactly sorrow, but fear of future sorrow. It is the thought that maybe everything won’t be okay after all.

I think of how future-focused I’ve always been. Not in a sensible way like retirement planning. But, I’ve always had the same question thrumming through me, for as long as I can remember: “But everything is going to be okay, right?” I suppose it is time I start asking myself what I meant by “everything” and “okay.”

This blog has been largely about my path forward since my divorce, the ups and downs of it all, single parenting, relationships. And since ups and downs are universal, I hoped that by writing about mine, you could think about yours, and we could connect that way, cultivate contemplation, and in so doing, co-create a more deliberate way of moving through this world and coping with its challenges and celebrating its joys. Help each other to feel less alone, which is certainly another kind of happiness. And I have written here about the aftermath of marriage but I rarely talk about my marriage itself. I can tell you this: when I was married, whenever I asked that question to myself, “is everything going to be okay?”, I knew the answer. I knew everything would be okay because I was with the person I wanted to spend my life with.

Before I was divorced, I didn’t think too much about what it meant for people. It was something that happened to other people. So, when it happened to me, and in all the ways it happened—and it happens differently for everyone—one of the biggest inversions to my world view and sense of self was this idea that the future as I had imagined it was erased. And somehow, I felt erased, too. Everything would not be okay, at least, not in the ways I had imagined and hoped.

This past year, since my most recent breakup, I have realized that this part of my journey is trying to get that “everything’s going to be okay” feeling on my own. To take time to slow dance with that. Feeling like everything is going to be okay means that you have an absence of fear about future sorrow, or, more accurately, you have confidence that you will handle the future sorrow and make everything okay, in time. One of the things I’m trying to remember is that no matter how badly I want to figure out if future-me is going to be okay, there are things I can’t know, can’t predict. And the only way that future version of myself is going to be okay with whatever life throws at her is if I figure out how to be okay now. Because if I can do it now, then I can do it then. And what I fail to do so regularly is to realize that I have done it. I am doing it.

Sometimes I feel like the world gets meaner every day and I’m no match for it. Just me and my hokey dreams trying to feel like I’ve got things figured out enough to feel “okay.” But the more we talk about these things, the more we can help each other find paths to “okay” and “happy.” Maybe we can slow dance with the light emotions too, not just the heavy ones, slow dance with joy, slow dance with each other, feel the cool comfort of wet sand instead of a dark pull. And maybe we can create a ripple effect and gradually wash away some of the meanness and be a match for this cruel world together.

Love, Cath

On Elemental Lessons, Love, and Good-Messy

By Catherine DiMercurio

Sometimes the most basic lessons are the hardest to learn.

Sometimes I think the best in the shower. In my soul, I’m a water person, though this body can’t swim very well. But whenever I’m around water, I’m calmer. Recently, in the shower, it occurred to me that it is almost the one-year anniversary of the ending of a relationship. It was a relationship that was hard to let go of, in spite of the fact that it needed to end, and I got to thinking that I seem to have more anniversaries of things that ended than things that began. Not long ago, that thought would have sunk me, at least for a few days. I would have ruminated, and found ways to feel increasingly worse about myself. But standing there in the water, after a year of becoming more in tune with myself, my next thought was this (and yes, I do address myself in the second person sometimes): Wait. Are you really saying that you think you have more to mourn than to celebrate?

My immediate answer to myself was no, but part of me still wanted to tally, to dig into hurt and remember it. We get used to making ourselves feel terrible sometimes. For a lot of reasons. But I have spent the last year looking at those reasons, my past, my deeper past, and learning. And in this moment, I understood that it is natural for me to have a lot of emotions around this time of year about the ending of that relationship, and that having those feelings did not have to translate into a trip down the rabbit hole. That’s progress.

Some of that progress can be attributed to the pottery studio. I feel as though I’ve been on an incredible journey when I think of the first several classes back in January. I pushed myself way out of my comfort zone, not only in trying something new, but in hauling myself out of my cozy house in deep dark winter for a 7 to 10 p.m. class with strangers. I am definitely a morning person, so I knew one of my obstacles was going to be my own fatigue at this point in the day. Optimal learning and creative time for me happens much earlier in the day. And there were a lot of other obstacles, one being that physically, I am not very coordinated, and hand-eye coordination is pretty important when you are wheel-throwing.

I was not prepared for how challenging the experience would be, for how frustrated I would feel. I have no poker face, and even when I’m trying to have a neutral outward demeanor, it is plain for the world to see when I am struggling. Though the class was different from any that I’d ever taken, my brain slipped into student-mode where the usual process was: work hard, study, succeed. In the past, doing well in school meant that the people around me were happy (teachers, parents), and it allowed me the opportunity to excel at something, since it wasn’t going to be in the realm of sports, or anything social.

But, I struggled. Class after class, I felt clumsy and awkward and self-conscious. I had almost no control over what the clay was doing and trying to understand the relationship between the movement of the wheel and how my hands were interacting with the clay seemed like a mystery that I couldn’t unravel. There were too many factors—the wheel speed, the moisture level of the clay, the pressure, placement, and movement of each and every finger on both hands, my posture. I was certain the other new people were already better than me. I thought about quitting. A lot. I even bought a cheap-ish pottery wheel so I could practice at home. It is easier to fail without anyone watching. I wanted only to get a little better between classes so when I sat down in the studio it would be evident that I was making progress. I wanted so badly to be perceived as someone who worked hard, and if my work did not show evidence of that, how would anyone know?

And I did make progress, in my own epically slow way. But I was doing so out of some sort of ancient ache to prove myself, to insist on some kind of worthiness I wanted others to recognize in me even when I routinely overlooked it in myself. Part of my pottery journey has been to trace this powerful need, which has shaped (malformed) so many relationships, back to its roots. This work is not done, as the work of truly understanding ourselves and making peace with it all never is.

Even though I felt like I wasn’t progressing fast enough, my instructor was so good at underscoring how difficult it is to learn any new art form. I remember getting frustrated at the wheel, trying to accomplish something that wasn’t working out. I had a poorly centered lump of clay in front of me that I’d been able to open up enough to begin to pull up the walls. She was standing near, talking me through it, and I said something like, “I just can’t. . . .” I was unable to finish the sentence, because I felt like none of it was working. I couldn’t do any of it. And she replied, “And it’s what? Your third class?” She taught me to embrace wherever it was that I was in this journey. If something turned out wonky, and I could get it off the wheel, I could still practice trimming and glazing. It was all part of the process.

That was kind of a turning point for me. After that, some fresh ideas began to make themselves known in my brain. Couldn’t I just learn and play and grow? Trying to force progress wasn’t working. And feeling tense internally was something that found its way into the clay. Everything was going to happen on my own timeline. And there was no grade. There was no metric by which to measure failure or success, only those that I imposed upon myself. Doors and windows flew open inside me. Soon, I began to feel energized and creative and good-messy, and suddenly, when I thought of all there was to learn, I saw the future blossoming in front of me, whereas only weeks before, when I thought of how much I didn’t know, I’d felt overwhelmed.

The whole experience thus far has reshaped the way I look at myself. It is shocking to me that learning how to throw and work with clay is revealing so much that has nothing to do with clay. I think because I was already doing some of this work, the experience simply shoved open doors whose locks I’d spent some time jimmying open.

To some friends and family, I’ve tentatively equated my evolving feelings about pottery to falling in love. I say tentatively because it seems a strange thing to admit. But what I’m beginning to comprehend is that what is happening is that I’m falling in love with myself. Sometimes it takes us so, so long to learn elemental lessons. And sometimes it takes the elements—earth, water, air, fire—to teach us.

Love, Cath