On Magic, Work and Worry, and Joy Like a Canary

By Catherine DiMercurio

Sometimes magic finds us; sometimes we have to go looking for it to get through the day.

Part 1. In Which Magic Infiltrates the Everyday

I find myself thinking about magic lately. I think about peeking in wardrobes, and the half-expectation of seeing a snowy landscape and a lamppost on the other side. To be clear, I’m not talking about actually expecting to walk into another world – Narnia, or anywhere else. I’m talking about a spark of feeling that is at once wonder, hope, joy, and something else I’m not sure I’ve been able to pinpoint.

Sometimes, life is all alarm clock and schedule and commute and cubicle. But one recent morning I walked my dog at dawn. The sky blushed, nudging away grey remnants of night, and the chill in the air had no pinch in it. My almost-eleven-year-old-galoot trotted and pulled in his undignified way, lurching toward the joy of the day, of scents and fresh air and movement and company. Rounding a corner as we headed downtown, I saw that the little city tree branches had already been strewn with holiday lights. The glow of the bulbs, set against the peaches and pinks of the dawn, that companionable contrast, made me grin out loud; there was more magic in that moment than I had expected from a Tuesday pre-work walk. Maybe the magic was in how long it stayed with me.

defocused image of illuminated christmas lights
Photo by Miguel Á. Padriñán on Pexels.com

And for the rest of the day, my wandering thoughts strayed Narnian. I thought of all the other things that work their magic on us day by day, though it can be easy not to notice.

I want to notice, and I want to remember the noticing.

I get a little lift when squeezing dish soap into the sink and a stray bubble floats toward the ceiling. It reminds me of my sweet brown dog who died before he should have had to, and how delighted bubbles seemed to make him. He always stayed with me in the kitchen when I did the dishes. And something about that dish soap bubble does more than make me think of him. In that moment the melancholic pull of missing him evaporates, and in its place is that moment of inexplicable delight and peace and . . . something else.

[I think, too, of the way my heart lurches when a certain text tone chimes, pulling all of me along with it, toward joy, as if my heart is the dog on the walk and the rest of me is leash.]

We move through our day, through ordinary moments, walking the dog, doing the dishes, sending and receiving texts. If we are observant, we might find ways to layer joy onto the bones of the moments in our days.

I look at this as some sort of everyday magic. I think that it is in fact miraculous that there is an emotion that lives near joy, hope, wonder, peace, love, delight, all these things, that I cannot name. What a gift that is, especially when you look at the spectrum of nameable emotions, and how familiar we are with the names of all of them, even and maybe especially the less pleasant ones.

Part 2. In Which the Magic is Too Easily Overcome

A couple of mornings ago, I went for a run for the first time in a while. I’ve been avoiding the cold. I used to like running in the cold. I reminded myself of that. I reminded myself that it wasn’t snowy or icy, and that the temperature, though below freezing, was above 0. It was 20 degrees out. Throughout the run, I thought of being done with the run. I thought about how I should have warmed up, and how I was forcing my muscles to do what I often force my brain to do – figure things out as I go. I didn’t have time for a warm-up. Finding my cold weather layers, that was pretty much my warm-up. I thought about metaphors and I thought about my knee and about little crystalline ice formations in my lungs.

I tried to pretend to be some kind of bad-ass when I got home, because I ran a couple of miles in the cold. The dog was not impressed. I tried to hold on to the post-run lift, to hold on to all the things that made me smile throughout the week. I was marginally successfully. But it got to be too much work when costly car troubles and other normal life stresses combined with holiday stresses began to pile up.

Stress and worry seem to weigh so much more when gathered up than all the moments of peace and happy and magic I’ve been storing up weigh. Or, I notice them more than when the stresses dribble in one at a time. But then life happens and the stresses pool together. They somehow increase in density and seep heavily into everything, groaning in a deep bass tone at the base of my skull that their totality is greater than the sum of their parts.

Part 3. In Which Overthinking Leads to Perspective and Turns Out to be Just the Right Amount of Thinking

It is easy to sink, hard to pull myself back into equilibrium. I have to be on both sides of the leash to lurch myself back into what feels like a more natural state sometimes.

Does it sound selfish, this gluttonous desire for joy and love and peace and peace of mind and hope? Why can’t we though, why can’t we want that, why can’t we throw the weight of our selves and seeking behind such pursuits?

I think how upside down the world is, of how much time we spend fighting for the things we care about and how little is left for the caring. Sometimes I feel the panicked pull of it all and I just want reprieve, and when I find it, it is in the presence of the people I care about and I’m reminded that the reprieve is actually the world, and everything else is the noise and clutter. The reprieve is the place where we can’t be hurt and fatigued and wearied by everything outside the door. And sometimes we find it in the quiet place within us, in solitude, though like anything, there can be too much of that.

I wish I could un-upside-down the world, and make the reprieve take up slightly more time than the clutter, noise, work and worry. I’m not good at rationing, though and who knows what balance looks like. I’m trying to be better about savoring, enjoying to the fullest all the moments of reprieve that I can collect throughout a day, a week. I try to not be resentful that the pile of bills or the cubicle or repairs to home and car whittle away at it all, thin it out in the middle.

It takes work, sometimes, keeping ourselves living in the mindset we want to maintain. I like my goofy optimism, I like try-your-best, look-for-magic thinking. I get resentful of the way life eats at that. I think we all do. It’s hard to not take it personally sometimes.

I think that all the art I’ve ever loved in some way captures the joy that exists within a world designed to see it fail, joy like the proverbial canary, like a doorway at the back of a wardrobe that only sometimes opens to a fantastic place, and you can’t always find it anyway. And I suppose that’s why we seek art, because it makes us feel understood, whether it be a painting, film, image, song, or collection of words. Maybe it’s just the art we compose every day, in the way we frame the world the way we want it to be, seeing the way a tree-lit night ebbs into an apricot-colored dawn.

We make art, we make joy, we make love, we make reprieve, we make magic. Because we have to.

Love, Cath

On Circles, Themes, Acceptance

By Catherine DiMercurio

Sometimes you have to accept your themes.

It’s cold. I want to write something beautiful. I want to sleep better, more. I’ve started and stopped and started this post over and over. I find the ideas of sleep and dreams floating to the surface. But at the same time, my thoughts are scattered, a little murky. I think of the pond in the nature area where my kids and I sometimes walked, and the lily pads, and the weeds, and the rocks where the turtles sun, and how much my thoughts feel like that sometimes, all a part of an ecosystem, but appearing at any given moment to be quite disparate. Over there floats a blog post about earnestness, there’s one about sleeplessness, and still another about the things we imagine about our future selves. Sometimes it all comes together into a cohesive thread, as I write about it, and I can finally see the themes that have woven themselves into my consciousness for the past days. Other times, things will not coalesce.

photo white water lily flower on body of water surrounded by leaves
Photo by Jacoby Clarke on Pexels.com

Currently, continuity feels elusive, and I wonder if that’s the point of things right now. That sometimes it doesn’t all fit together, and we can’t find the meaning. This week hasn’t been the first time my son has chided me about my desire to figure out the meaning or lesson in something. Like anyone, he has a collection of anxieties he carries with him, but he also possesses a calm, almost Taoist sort of perspective, that things just are. [I should note here too that my understanding of Taoism derives largely from Benjamin Hoff’s The Tao of Pooh.] It’s a view that makes my little mental quests seem frantic and unnecessary sometimes. But, if things just are, then, too, this is just the way am, so sometimes I have to accept the fact that my desire for synthesis and understanding will sometimes reward, and may just as often thwart and frustrate.

We get stuck in loops sometimes. In various ways, we are taught to look for patterns, in our lives, in our work, in art, music, architecture, politics. Everywhere repeated motifs call out to be recognized. We swoop, circling understanding. I don’t think this effort is without value. We emphasize lessons to and for ourselves. We find new ways to look at the same things we’ve studied for years, how to love, how to grow, how to be brave, how to be vulnerable. We study what things are worth.

At the same time, we can only pay attention to so many things at a time. What’s in our peripheral vision, and what do we fail to notice? I think sometimes of the way we laugh when we see a dog chasing his tail, but I maybe it’s not so funny for him. We catch glimpses of a threat out of the corner of our eye. There’s not much to do once it’s caught. It’s untenable to keep holding on – it is, after all, our own tail – but letting go feels dangerous, because, what if it isn’t? What if it’s something bigger than us? And so we are caught, circling. We are dizzied, we exhaust ourselves, we hold on unreasonably to things that keep us spinning instead of letting go and letting ourselves move differently, forward, playfully, peacefully.

I think of how many times I have written on the same themes, trying to see them from new perspectives. We don’t always know why things feel important to us; or, we don’t know if they should feel as important to us as they do; we don’t know if we should fight impulses, or explore them. Yet, things are as they are; you are, I am. You have your themes, I have mine. Maybe it’s best to not question our themes too much, maybe we should simply acknowledge them as part of us. Does the dog let go once he realizes it’s his own tail? Even so, it’s still his tail. The perceived threat may dissipate, but the thing itself is still a part of him.

This is all to say, fine, then. Let me expend mental energy thinking about time and identity and transitions. Let me think about what it means to be a mother, and ponder “home” as an emotional construct. These are the themes of the hour, or year, of my mind right now. They are not chasing me, demanding my attention; they are part of me, and as such, they simply will infuse what I think, feel, do, and write. I wonder, if the act of such acceptance is what opens the space for new ideas. Once the dog is not so focused on the threat or wonder posed by his tail, is he able to take part in a new activity? Run to a loved one, find a sunny place to nap, discover a treat in his food dish? Who doesn’t love love and sun and naps and treats?

Some things are part of us, whether or not we want them to be, and they remain so whether or not we focus our attention on them. Maybe, sometimes, at the very least, it is okay to take a break from them for a little while. To notice what/who is there in our peripheral vision.

This is not beautiful, not this metaphor, not this idea, not this prose. But some things just are and maybe it is for someone else to apply descriptors. Maybe nothing bad will happen if we stop for a moment, stop trying to figure it all out, though this can seem like an alarming concept, particularly if life has given us the message that unless we pay attention, bad things will happen. So we chase our tails, worried about the proximity of threat, unable to distinguish self from trouble. When the whirl and whine of it become too much and we collapse, exhausted, it is often only to sleep, then to take up the chase again the next day, without pause, without fail, but often full of failure, failure to think other thoughts, to break out of patterns that keep us focused and working hard, but often to no end.

Sometimes it takes only a gentle nudge from someone nearby, a simple, “hey,” to point us in a new direction, to help us, as Ralph Waldo Emerson says, to “draw a new circle.” Sometimes it takes sheer force of will. Sometimes the work we do is unclenching our jaw, letting go, and simply noticing.

Love, Cath

On Cranes and Kites, Work and Wishes

By Catherine DiMercurio

Sometimes we feel fragmented, abstract; we are connected.

I keep unfolding this origami shape, trying to make a kite.

What’s the right way to look at the work we do? Does anyone notice the difference between folding and flight?

We are told to do the work, and we want to, and it comes as easily to us as flight does to a thousand paper cranes.

paper cranes
Photo by David Yu on Pexels.com

It is easy to believe we are doing it wrong. It is easy to believe that there is a dull ache, there are sore muscles, even when we are doing it right.

And everything is right.

Everything is all right.

I’m not not spelling it out in order to obfuscate; I wouldn’t do that to either of us. I’m not spelling it out because the test is wrong, and I know the answers, but not to these questions. We know everything, and we have never known any single thing.

I know this: I draw hearts in Douglas fir sawdust with my fingertip, believing always in yes, now, this.

We whisper wishes into night, day, storm, sun. We whisper gusts. We keep the kites aloft.

Some days I don’t know where to begin. I think of how hard our psyche rushes in the background, trying to escape remembered danger or pain that isn’t anything now, isn’t more than paper in a puddle, but we wake up exhausted anyway.

Sometimes we fool ourselves into thinking that the way we work is in a straight line, as if we don’t loop back around again, as if we won’t need to. And I think of the way a kite stays up, and the way when I was little, I ran in circles trying to catch the wind in the muddy field with my father. My feet in boots navigating slippery clumps of soil, heavy grey clouds churning above his head as he ran for the string that slipped through my fingers.

And I think of catching and holding, and running, and waiting for the wind, and fighting it, and those few moments in between when it’s all just grace and flight and lift and it feels like it’s no work at all.

Let’s give each other the space and grace to navigate, to slip sometimes, to falter. I’ll give chase for you.

Sometimes work is a four-letter word, the way we put ourselves back together every day, for ourselves, for each other. Do we privilege one audience over another, and why do we feel maligned for doing either, or both?

I’ve been gripped for the past several days by a certain melancholy I can’t quite source. Touching base with a number of people in my life, I hear they also feel marked in this way. I think about the things that we sense collectively, the cold heaviness of a loud, mean world. I think of the way it makes us feel separate, though we are feeling the same thing, each in our own way.

I think of this: sometimes the kite string doesn’t simply slip from our grasp because the wind was strong or because we slid in the mud. Admit it. Sometimes we let it go. Sometimes we woke up exhausted. And I think, I’ll chase that for you today. Will you help me start again, tomorrow? I think of the way I was given paper. The way I watched you transform a thousand origami cranes into kite, the way I managed to let the wind take mine again, though getting into the air in that day was a feat, and you said so.

Sometimes I try and take the view of the kite, and look down on the field, on all the endeavoring, and I’m struck by the earnestness of it all, by the web of string, the kaleidoscopic pattern of arms outstretched, by the chasing we are willing to do, for ourselves, for one another, even though you can only see it from this vantage point.

Love, Cath

 

 

 

 

On Rituals and Running and Fog

By Catherine DiMercurio

Sometimes you need five more minutes.

It’s a school morning and I wake up early to my wind-chime alarm and put the kettle on, grind the coffee beans, add them to the freshly rinsed French press pot. At six, I slip into my son’s room. “Do you want five more minutes?” He grumbles assent. I close the door.

This is a ritual, a habit, but it’s largely unnecessary. He wakes up just fine on his own. At the same time, we measure time differently now that he is a year away from leaving home for college. Less than a year, I remind myself. The days and minutes and seconds tick away in an almost palpable manner during this last school year. So, I respect the ritual.

Do you want five more minutes? Yes, I do.

I pocket this particular heartache and will tap it absentmindedly throughout the day, like a lost tooth I’ve placed close to my heart for safe-keeping.

The kettle whistles, I add a little water to the press pot, wait a minute for the grounds to “bloom,” add the rest of the water, stir, watch the clock for about four minutes, and compress the plunger and pour the first cup of Sumatra. I add a little turbinado sugar and some almond milk. I think of other people, making their coffee, and I think of their rituals, and what we absorb from the people we love. I think of the way we bloom.

After my son’s car rumbles toward school, I slip into my running gear, enjoying the ritual and familiarity of that, too, but I’m unable to stop the voice in my head chiding me that the two miles I’ll run today are nothing compared to what I used to do. Still, I lace up, and head out. It’s mid-September and the air holds both summer and fall in it. It’s humid and cool and I try to pay attention to my form, my knees, my breath. I run down streets I’ve run down for twenty years, knowing that in a year, the streets will be different, the neighborhood unfamiliar. I notice my arms doing that T-Rex thing and I focus on form again.

I see three different women walking their dogs, and I nod to each human and greet the dogs alternately with “Hi, baby,” “Hey, honey,” and “Hello, puppy.” I notice the change in the flowers as I pass by. The magenta zinnias are a bit ragged and a little fallen now, the yellow and burgundy mums in people’s yards look store-bought. Golden dahlias and those urgently pink ones remain vibrant. I finish the two-mile run on a sprint, feeling that it was a pretty good run, even though it wasn’t that fast, or that long. I feel strong, and the morning is lovely.

Sometimes I can’t quite untangle whether I’m running because I ought to, health-wise, or simply because the ritual of it brings me some kind of peace, a bit of enjoying-the-journey satisfaction that is hungry to be noticed amid complaints of too slow, and not far enough.

Sometimes there’s a lot to untangle. We want to move through life in a clear-sighted way, but we have stress and memory and obligation and politics and time and change intruding on vision and joy and love and laughter and dreams.

I’ve been disappointed about my lack of progress with my writing lately and I’ve noted it here, sometimes, feeling a bit exposed, but talking about it anyway, because we all have failures and disappointments and we may as well be honest about it. It’s hard to avoid seeing the parallels between my writing and running. I feel like the effort is there, the consistency, the focus, if not the amount of time I’d prefer to devote. But progress is elusive. I remind myself, as I kick off my shoes, they are different things, running and writing. Also, I’m trying to measure writing progress with publication success and those, too, are different things. Isn’t the progress in the consistency, effort, and perseverance? I remind myself of form, of focus, having learned over the years that being my own cheerleader – or practicing cognitive reconditioning, if you prefer – does pay off.

What we tell ourselves about ourselves matters.

I remind myself too, of those people in my life who love me, and even those who just like me a bit, who have encouraged me in my writing, or otherwise have demonstrated support or kindness when I’ve expressed a need for it, or even when I haven’t. It matters.

dirt road between trees
Photo by Lucas Pezeta on Pexels.com

Sometimes it seems we are running through the same fog we have found ourselves navigating over and over again, a haze comprised largely of absence, or need – for validation, respect, nurturing, who knows, it’s different for everyone – but likely, whatever it is, it’s a void that feels like a thing. It keeps us looking over shoulders, peeking around corners, it keeps us waiting, keeps us up at night, keeps us guarded and uncertain, but in truth, this thing is not a thing at all. If it is a void, it is an empty place, it is no thing at all, and so, let’s call it what is. It’s nothing, which means it doesn’t really have any power. I mean, it could. But we don’t have to let it. We don’t have to give it thing-ness, body, form, shape, substance. We can let it dissolve into nothingness. We can remind ourselves of the solid things that do exist, of what others offer us, of what we offer ourselves.

So maybe let’s be on the journey with open eyes, and run as slowly as we need to, and as far as we want to, and take it all in, the neighbor, the dog, the street, the zinnia and mum and dahlia.

Let’s give ourselves five more minutes.

Let’s enjoy the rituals of coffee-making and running and writing and kissing, and holding hands, and quiet moments next to each other, and creating beautiful things and useful things, and doing the work that gives us joy and tasting toast with homemade jam. Let a void be a void. Let the things we give substance and shape to only be the things we want to hold on to.

Love, Cath

On Peaches, Hiccups, and Fish, or Finding Talismans

By Catherine DiMercurio

Sometimes we work so hard trying to get it all right, but it already is alright.

Yesterday opened with a rejection that sounded at first like an acceptance, like a win, a big one. And also, a second rejection. I don’t usually get two literary journal rejections back-to-back on a Monday morning, with one of them needing to be re-read four times just to make sure. As the day unfolded, my Monday also gifted me with two “hiccups,” which involved each child texting me at work – simultaneously – with different issues that needed some urgent and ongoing consideration.

I write a lot about transitions here. I felt as though, at the end of August, I was properly girding myself for the emotions of the next transition. Moving my daughter into a room in a house she’d be sharing with several other students, her first non-dorm college living experience. Moving into my son’s senior year, beginning with the last orchestra camp and the last first day of high school.

I’ve reminded myself that at this point, life is not calm vs. storm, but really just water. A living, breathing ocean with quiet waves and ravenous storms and everything in between. It is characterized by constant movement. And with this insight I had prepared myself for a new season of shift and change, ebb and flow.

Yet I wonder sometimes, what do fish notice, and how does a storm feel deep below the waves? Is it only churn and chop near the surface?

blue discus fish
Photo by Lone Jensen on Pexels.com

On Sunday I blanched peaches in advance of jam-making. I was thinking about the particular and curious satisfaction of September’s liminality, that glorious, tumultuous in-between summer and fall place, a place where little scraps of peace, that feel at once like summer and fall, fall into place.

I stood at the sink gently pushing away the skin from the blushing fruit beneath my thumbs, and I found cherished calm there. I thought, maybe Love does that, loving and being loved. Maybe it makes it easier to find those quiet depths even when the rest of the world is topsy-turvy, even when the children are molding themselves to the shape of new expectations, and even when an avalanche of new transitions and uncertainty waits up ahead for me as well.

I think, I want to remember this, I want to remember the feeling.

I wanted Sunday’s interlude with peaches to be more than a lovely distraction. I wanted the memory of calm to be accessible later, to protect me from the seemingly omnipresent protective anxiety about my children I wear like a talisman.

I need a talisman to protect me from my talisman.

I wear worry like a tattooed eye warding off evil. I fret about catastrophe I hope to keep at bay by paying attention, somehow, to everything that might go wrong, large and small, money, the future, my impending move, how my view of myself will necessarily morph once I am no longer mothering in the same way.

I can imagine it all, and I can’t.

Though it may be something of an illusion, I think that if I spend time worrying about things now, I might be able to shape myself to change and new with some alacrity, if I’m paying attention in all the right ways to all the right things.

As my Monday progressed, post-lunchtime hiccups, I did my best to troubleshoot while staying focused at work; to assess and reassess once home; to weigh pros and cons; to manage the easier hiccup and consider and second guess the other, which was really quite a bit more than a hiccup; and to try and bury the popped-balloon anguish instilled by the rejection that opened with we’d like to congratulate instead of unfortunately. I tried to pay attention to all the right things in all the right ways.

At one point, my son noted, you’re handling this all really well. Though it was a wonderful compliment, it was also impossible for me not to see this observation in contrast to the immediate post-divorce years, when all the juggling and figuring out and managing felt crushing, and I maybe did not handle it all really well, maybe not at all, surely not often enough.

And enough. Enough. That word rises to the surface again and again and it isn’t a gentle rising to the surface like a little bubble rises. It’s a thrust generated by a seismic event on the ocean floor that disturbs the calm in the depths, causes destruction at the surface.

Enough is one of the cruelest words in the lexicon of identity because it is both quake and seismograph.

But, my evening progressed. I worked. I worked with my Love on tasks that wanted doing. I shaped myself to a purpose with recognizable dimensions and did it alongside someone I would pretty much do anything alongside of. I came home, put the final touches on whatever managing of hiccups/not-hiccups I could. I still felt the chop and churn of enoughness and not-enoughness. I didn’t remember what I wanted to about the peaches. Still, it was quite impossible to not feel loved. It was impossible to resist the perpetual buoy of it all, and I don’t really know anything that serves as greater protection against evil than that.

Love, Cath

On Crystallization, Perception, and Power

By Catherine DiMercurio

Sometimes our strengths are weaknesses in disguise.

One recent morning, I woke early with an idea in my head for a new story. I didn’t know that’s what it was at the time. It was still dark outside and a cool breezed huffed in through the open windows, shushing me back to sleep. Yet a clear picture arose in my mind of a man and two singular aspects of his life, and these ideas hummed themselves together into a beautiful sentence. My sleepy self insisted the ideas would hold together, the words would cling in my heart like syrup to fingers. I told myself it was okay to go back to sleep.

honey on white bowl
Photo by Pixabay on Pexels.com

But whoever remembers such things? The words or dreams we want to stay with us evaporate the more we want them to remain. I sat up and turned on a light. After a trip to the kitchen to warm up yesterday’s coffee, I did something I hadn’t done in a while, and wrote in bed. It was chilly enough that I donned the sweater linked by sensory memory to writing – I wore it almost daily at the writing retreat I attended in Vermont in the spring. As I flipped open my laptop I relished the sweet perfection of feeling at once cozy and creative and content. I began to write in that cherished, blissful way, where it all flows, and there is no thought or judgment about it, just all the words becoming themselves.

One of the reasons writing something new like this feels so freeing is that nothing about it is centered on thinking. When I’m working this way, the process is about throwing open doors and windows and letting everything that needs to get out get out, and letting everything that needs to get in get in. John Greenleaf Whittier says in one of his poems, “All the windows of my heart / I open to the day.” It’s like that.

When I write, my heart does the heavy lifting and my brain offers vocabulary, some structural tools, a bit of philosophy here and there. Most days though, my heart and brain team up differently. My heart is feeling and my brain is thinking and they feed off of each other, but it is more like a relay race and less like the very intimate dance of writing.

This interplay of thoughts and feelings has led me to consider why I have often been the subject of two observations: you think too much and you feel too much. The more familiar variants are: you’re overthinking this and you’re too sensitive. I have recently – through much thinking and feeling on the matter – come to a new understanding on the topic: I am thinking and feeling exactly the right amount for me. However, I am reacting far too quickly.

How overwhelming this must be for other people, considering how overwhelming it is for me! Friends and loved ones have often looked at me, bewildered at best, and frustrated, annoyed, or angry at worst, because my reactions seem out of sync with their understanding of a situation. And while my thoughts and feelings may not be out of sync, my outward reactions admittedly have been at times.

Realizing this, I have begun to explore a new-to-me idea. Mouth shut, heart and mind open. This is the part where I observe my heart and mind doing what they do best, without trying to interpret everything in the moment, with words that have not yet had a chance to catch up to meaning. I’m learning to take time and space to allow a process to occur, rather than rushing into speaking about things I have not yet had a chance to make sense of. It’s unfair to everyone and processes take time.

Yet it is important to note the following: the things we feel hypersensitive to or want to overthink about are the things our hearts and brains are signaling as significant. Heart bucking and full of ache? Thoughts galloping in all directions? These are clues. These are frantic, arm-waving events where we are trying to tell ourselves Pay attention! This is what and whom you care about the most and we are trying to tell you why and how it all matters! We owe it to ourselves to be contemplative about such things; we owe it to the people in our lives to consider how to react.

We all have these perceived weaknesses, characteristics that we’ve been told are flaws but don’t feel that way to us, yet still, they trip us up. It’s confusing, and difficult to untangle, when you get the sense that you are too something, or not enough of something else. We internalize these messages. External criticism of misunderstood qualities becomes internal self-censure, and over the years we accumulate a misunderstanding of ourselves. But maybe our weaknesses are strengths we have not yet learned to harness. Maybe they are clues to a higher level of understanding or way of being that we have not yet caught up to.

Perhaps my over-thinking and super-sensitivity can provide me sustained guidance in a way they haven’t before, now that I’ve begun to pay attention to them in a new way. Perhaps I can do more than catch glimpses of insight, a flash of inspiration. Maybe I can cultivate intuition and wisdom. Maybe I can hold on to it.

It isn’t easy, turning away from reacting and ruminating and toward contemplation. It takes sustained effort, and flexing muscles we may not be used to. I’m hopeful that as I practice this way of feeling and thinking, I’ll learn more about myself, about how to know when a situation is about quietly healing past wounds – self-inflicted or otherwise – and when it is about an ongoing external situation.

How many times have we been surprised to find our emotions running high, not knowing what brought them on, and how many times do we assume a situational trigger is at work, rather than an internal struggle we’d prefer to ignore because we don’t fully understand it? Sometimes when we are urgently trying to make connections between thoughts and feelings and words, we make mistakes, connect dots and form inaccurate pictures, and in doing so, we do more harm than good to the connections we share with the people we care about.

I am hopeful that the rewards of revaluing the characteristics perceived as weaknesses will be as sweet and as satisfying as the golden rush of new writing. All of it comes from the same source. The unfiltered flow of a new story is not much different from the unfiltered outpouring of deeply felt emotions and so many scattered thoughts. Perhaps, just as the process of revision shapes a story, so too will contemplation crystalize overwrought thoughts and overwhelming feelings into insights that can be savored, and when desired, shared.

Maybe, too, we can begin to consider the ways in which the perceived weaknesses of others might be regarded in a new light. Let’s be patient with one another; we all have powers we don’t yet know how to wield.

Love, Cath

 

The Age of Compromise: On Aging and Surrender

By Catherine DiMercurio

This is a moment of surrender. Or, at least, a movement toward that moment. This weekend, I sat in a high school classroom, listening to my children playing a duet—my son on the cello, my daughter on the violin. As a graduating senior, my daughter was performing at her last state solo and ensemble event. It was also the last time the two of them would be performing a duet together in this context. I often close my eyes when I listen to them play and for a moment, Beethoven’s Sonatina drifted through memories, picking up images that hung for a moment in the melody so I could see them, images of the two of them as children, playing together, kneeling in the grass, heads bent toward one another, communicating in the deeply familiar and private way siblings often have.

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Now, they sit on black chairs in this sunny room, communicating differently—with the interplay of cello and violin, trading the melody—heads still inclined toward one another, almost fully fledged and ready to fly. It is difficult to think about the journey of all those years, to think about how much my son and daughter have grown, without considering the impact of my own accumulation of years.

I have an uneasy relationship with the notion of aging. I’ll be 48 later this year. It isn’t the number itself that gives me any trouble, but rather, the undeniable signs that this is happening. It’s different for everyone, the collection of symptoms that pile up, that make you notice them not as individual random things but as parts of a pattern. At some point, it all adds up and you realize that getting older—which you were fine with—means you are actually getting old.

Distance and Pain

Did you notice what happened there? That slip from first person into second person? Writers sometimes do this with a first-person narrator as a hint that the topic is so difficult or painful for the speaker that they—consciously or not—slipped into speaking about it using the more distant, generalized “you.” It diffuses the pain. An example: Hemingway does this with his (autobiographical) narrator at the end of A Moveable Feast when he’s discussing the affair that ended his marriage to his first wife, Hadley. Hemingway describes the progression of the affair from something “stimulating and fun” to “truly wicked.” He speaks of the way “You lie and hate it and it destroys you.” He doesn’t say, “I lied and hated it and it destroyed me.”

So perhaps, it’s more accurate for me to say, “At some point it all adds up and I realize that getting older—which I was fine with—means I’m actually getting old.”

This progression from getting older to becoming an old person might be an easier journey if our society esteemed old age in any way. It doesn’t. The daily toil endured to be productive, tax-paying members of communities, the sacrifices made to raise children, the wisdom gained through the trial and error of living and loving and being human and making it to your 60s and 70s and beyond, are all frequently overlooked by our American society collectively, and by many of us individually on a day to day basis.

The Fine Art of Compromise

For me there are clear, outward facing indicators of my age I’m not comfortable with. I used to be regularly told that I looked younger than my age. I don’t hear that too much any more. For a period of time I read every article I could about the way stress—particularly some of the deep, long-lasting, chronic stress of divorce—ages a person rapidly on a cellular level. Though this idea was upsetting, it helped me accept some of the changes I was seeing and feeling. The grey hair, the bouts of insomnia. Sometimes it seems unfair, as if I thought I could cheat aging because I’ve focused on healthy eating for most of my adult life and tried to stay active since the kids were small. My lifestyle should at least yield healthy and productive later years, but I’m not naïve enough to believe there are any guarantees.

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I also find myself reading articles about the benefits of slow running. I ran two half marathons the year of my divorce. Running helped me purge a lot of the toxins I felt seeping into the tissues of my body. I felt like stress was devouring me breath by breath and I needed to burn it off the way fever kills infection. I’m not an efficient runner though and in the years since, long runs seem out of my reach. It’s hard to make peace with that. At the same time, I want to keep running. I’d rather do a few short runs, and some long walks, every week and be able to maintain that routine for the next twenty years rather than try and rack up mileage the way I used to and risk injuring myself to the point where I can’t run at all. My late 40s seem to be The Age of Compromise.

These are all small things. I feel good, really good, most of the time. I don’t wake up with aches and pains. The insomnia gets bad sometimes but I found that not eating after 7 pm really helps. The grey hair feels personal. I know it is a superficial thing. It is hard to find a vegan hair color that really does the job. I have researched articles on the best ways to go grey. I’ve pulled up pictures of Ann Bancroft in The Graduate and thought, maybe just let those streaks come in?

All of this research, these thoughts, these little allowances, are part of a movement toward surrender. Yet I remain unwilling to stop fighting the idea of growing older. I suspect that when I embrace it, a lot of things will fall into place. It’s worked out that way in other arenas. But right now I don’t even know what surrender and embrace look like. Is it when I decide to stop coloring my hair? Is it when I stop reacting so angrily to articles with headlines like “The 40 Things Women Over 40 Should Never, Ever Wear”? Maybe acceptance gets feathered in at the edges and you simply start noticing that you really don’t care about such things anymore. It’s possible that even thinking of it as embrace or surrender is to suggest I’m still fighting. Maybe it all happens organically, quietly in its own way, like when you remember that thing on the tip of your tongue finally, hours after you stopped trying so hard to catch it.

Whiplash: Looking Back and Looking Ahead

The flip side of all of this—of watching my children grow into adulthood, of making little deals with myself about how to shift the way I think about my age or changing my eating patterns—is that being honest with myself about aging means I also have to acknowledge that my parents are aging. I think now of that sonatina again and the memories shift. It’s my sisters and me—before my brother was even born and long before my baby sister was born. We are huddled in the fort made by the arching branches of forsythia bushes, speaking almost a private language, breathing in the delicately scented air under the first yellow blooms of spring.

Maybe my parents watched from the window. Maybe, as their little girls were graduating from high school, they thought about their own aging, and now, with their grandchildren graduating, they are simply living it. They are in their seventies. They deal with more doctor appointments than they used to, but they are active and happy and healthy. Like the good parents they have always been, they are modeling for me what aging can look like. They are simply living their lives, enjoying their journey, and dealing with obstacles along the way as they have always done and taught me to do.

So what am I so afraid of? Maybe it’s simply that the transitions in life are the hardest, and once we make our compromises, make our tweaks and our peace, we adapt and get on with it. It seems that every time I think this road is familiar and I know the way, the scenery changes and I get a little lost. Usually though, once the fear subsides I find I can relax and enjoy the adventure. I hope aging is like that.

Enjoy the road. Love, Cath