On Seedlings, Rip Currents, and New Things

By Catherine DiMercurio

Solitude is one of those gifts that doesn’t always feel like one. There is much delight in self-discovery, but the responsibility to make the most of this time can be troubling. Yet in the absence of other humans to react to and with on a daily basis there is a freedom to observe ourselves, to re-learn what makes us tick.

For me, this prolonged period of solitude has provided the opportunity to ask questions. What does being me look like when I am not in the mode of daily parenting or in a state of being partnered? In a way, being in solitude is like being the control group in an experiment about my own identity.

Here, I have the time and space to observe what affects my mood, my sense of well-being. What stressors alter the course of my day, how do I respond to them? How did I respond differently when I lived with my children, when I was with a partner? What do I like about the way that I live and think and feel, and what would I like to improve?

Here is something I’m learning about growth. Imagine one of those old, time-lapsed photography videos of a germinating seedling, the way it pushes through the dirt up to the warm sunlight and begins to unfurl. I wish my growth was like that, unconscious and inevitable, rooted in the instinct to move toward the light. When a human chooses to pursue growth—emotional, psychological, relational, etc.—they bump up against obstacles that can feel more troublesome than the soil a seedling faces. We must move through them somehow to get to where we want to go. It is not an instinctual movement with a clear direction. For many, growth requires confronting fears, and most fears stem from old wounds, from past relationships that reach all the way back through our childhoods. Our growth often requires that we dig down before we can inch up.

Photo by Gelgas Airlangga on Pexels.com

One of the things I have learned about myself is about the way I pursue things, or avoid pursuing them. Sometimes I can’t sink my teeth into something that intimidates me until I have run out of all the excuses to avoid trying. Sometimes I can’t truly let go of someone—even after the relationship has ended—until I have exhausted myself trying to figure out why it didn’t work. Things take as long as they take. Especially because we have to live life at the same time we are doing this work.

We owe ourselves these searches, these explorations of wounds to be done grieving, of lessons to be learned. But it’s hard and we need to take breaks. And the work does not have an exclusive claim to our time. We have other things to do. I have a full-time job, writing goals, hobbies, dogs who are strangely like best friends half the time, and mysterious toddler-like creatures with a never-ending set of demands the other half.

Some people seem better equipped to live in the moment. I feel as though I’m almost ready for whatever moment I find myself in, I just have to think about a few more things first.

In having all this time to myself, I decided it was time to learn something new. I had two aims in mind: learn the new thing, and, to learn something about myself in the process. One of the reasons I wanted to learn the new thing is that I have begun to understand the extent to which I have lost myself in past relationships. So, I am exploring the lost self, the remaining self. Further, I have a duty to undertake this exploration openly and honestly, to side-step self-criticism, and to nurture myself through this process with as much care as I would treat anyone who is going through transition or transformation.

The new thing, if you’ve read any of my recent blog posts, is pottery. It is an artform rich in metaphor. It is an artform where proficiency is elusive. Developing even rudimentary skills is challenging, more so than I ever imagined. Instead of being able to feel relaxed, or excited, or joyful, or curious about learning this new thing, I have found with dismay that I’m often frustrated or anxious. It is a disappointing reaction. I try not to be disappointed. I try to dig. Anxiety tries to point us in certain directions. Just like pain is our body’s way of telling us something is wrong, our anxiety is a way of our brain telling us that something is off. Certainly, there is nothing much actually dangerous about pottery, so why was I reacting this way, with so much worry? Was it more than just wanting to do well and struggling to get there?

I was about to head to the pottery studio and my anxiety was jangling so loudly it felt like I could hear my teeth rattle. Instead of ignoring it, or trying to distract myself, or telling myself to knock it off, I decided to talk myself through it. I asked myself a series of questions that kept whittling down the issue to a couple of difficult past experiences (long past!) and the years of emotional residue they left. I let myself experience the emotions those memories brought with them.

Sometimes anxiety makes us feel as we are in current danger even though our brains are remembering something else. So, this time, I tried to be aware of what was remembered, and feel it, and understand it, and forgive myself and the people around me. Miraculously, the anxiety that had gripped me so tightly evaporated. I didn’t realize it at first. I just found myself packing my tools, and I sensed that I felt better, calmer. I went in and spent three hours making a lot of mistakes on the wheel and when I was finished, I didn’t feel terrible about the mistakes as I had done in the past. I thought, this is great; my hands are getting used to how the clay feels, how it behaves. I was able to enjoy the process of failure.

If you’ve ever swum in Lake Michigan you may have seen the signs posted about dangerous rip currents, and how they pull unsuspecting swimmers away from the shore. The signs instruct you, should you get caught in a rip current, to swim parallel to the beach, so that you can get out of the rip current, before heading back to shore. Though I have never experienced a rip current, this is what anxiety sometimes feels like. There is no current (immediate) danger, but there is current danger (danger of getting pulled under and away by the current). The moment when I started asking myself questions about the anxiety that I felt was key. I took it seriously and didn’t panic. I realized that while I was not in imminent danger physically, I was in danger of the anxiety taking over, pushing me under. My questions allowed me the opportunity to swim parallel to the shore. Arriving at the studio in a calm state was much better than having to fight the jangling the whole time.  

While pottery is the new thing I am using to try and learn about myself as I learn about the art itself, life is going to give us all other new things. I think it is important to try and understand ourselves so that when things come our way, we know what to do with them, how to handle them, what holds us back, what pushes us under, what moves us forward.

I have a Post-it note stuck to my computer monitor. It reads: curiosity. I’m trying to let that guide me. To be curious rather than skeptical about new things and to wander through this part of my life with the open-heartedness with which I started the blog in the first place. Happy wandering! May your next new thing be good to you.

Love, Cath

On Safe Havens

By Catherine DiMercurio

Sometimes we figure out what we need.

Some transitions take longer than others; or, I am slow to acclimate to change. I think about where I belong and where I don’t and have not come to any conclusions except that sometimes it feels like nowhere, or at least, not here.

A few weeks before my house began a revolt with its perpetually problematic furnace, I finally got out of it for a couple of days. I’d booked a cabin in the woods in a state park not too far from home. I’d painstakingly arranged for care for the dogs, though I worried about my absence being difficult for them. My plan was to go away to write in solitude, but when one of my sisters, who was in need of some solitude herself, asked to join me, I was happy to say yes. She volunteered to take care of all the food, and let me write, and when I needed breaks we’d be able to enjoy each other’s long-missed company, and walk in the woods. Few things are ever exactly what you need, but this was. It felt soft and safe. It felt like the childhood safety and freedom from worry she and I had enjoyed together. It was laughter and peace. And I did get a fair bit of writing done. And we rambled through the woods in the late-September sun.

Back at home, I tried to hold on to that sense of peace and security, but I was also faced with what I had left—living in a house and in a town that I’m still acclimating to after a year, a place that resists feeling like home. Part of it is that in addition to my son leaving for college, the relationship I thought I’d be cultivating here had ended and I have found it difficult to create a sense of belonging to a place that did not have my people in it. For decades, home had been about family. Adjusting to a lack of a human population within these walls has been a bumpy ride.  

It’s a strange thing to make peace with an object as big as a house, and one that at times has seemed like it has wanted to eject me. Look, I say. We just have to make this work. Yet, you are not what you pretended to be. Things I loved about you when we first met all need to be repaired or replaced. Other things I loved about you that no longer matter: you kept me close to someone who mattered.

You were supposed to be a safe haven. But then I remember, that’s my job, not yours.

Safety, in all its forms, is both complex and simple. So easy to lose, so hard to get back. I think many of us experience this loss of a sense of safety at various points in our lives, whether it be in the aftermath of trauma large or, smaller but chronic, or an ongoing familial or financial crises that takes its toll.  We look back and try to remember what it was like to feel safe. Maybe it was so long ago you can hardly remember, or maybe it was a recent loss, sudden or gradual. Or a combination of all these things.

I believe it is also true that many people who feel anxiety or stress are unable to identify its true source as the absence of a sense of personal safety. It is difficult to pinpoint the source of trouble within ourselves, and it is easy to write off a deep, unsettled feeling as “stress.” But I have been wondering if it is actually stress that is the source of the anxiety I often struggle with, or something deeper.

In the course of these past couple of months of adaptation—to the loss of a relationship, to my newly emptied nest, to solitude that wears a different face every day—I have tried to explore troubled feelings when they arise. One of the things I’ve come to recognize is that a chain reaction of harm is occurring, and it is eroding my ability to be what we all need to be for ourselves: unassailable safe haven.

When I have a setback—expensive home repairs, a rejection of a writing submission I was really hopeful about, the text that erases the budding hope for a new potential relationship—my first thoughts are not those that self-soothe and comfort. They are those that self-criticize. Worse, they sometimes wound even deeper, mirroring the act of shaming that others have done to me in the past. What’s wrong with you? How could you let this happen?

How can we ever feel safe with someone who is makes us feel less than, who prods us about things we should have known or done, or belittles us for “bad” decisions, or for outcomes beyond our control? If we told a friend that someone we cared about was treating us this way, they might say, “that’s awful, that person does not love you.” What might our response be? Would we defend? Insist that they are only trying to protect us? What do you do when the person hurting you and tearing you down is yourself?  

There is undoubtedly a part of us that thinks it can protect us by pointing out things we could have done differently, things that didn’t work out well before, in order to try and keep us safe from further harm. There is a part of us that wants us to do better, be better. This critical voice pushes us because it loves us, and when we have pushed ourselves before, when we have tried harder and achieved, it may have seemed that this did make other people love us more. We may have told ourselves that. That people love us better when we can demonstrate that we have achieved certain external success. And that means a lot when we have been unable to create that love and safety within ourselves.

Did we even know we were supposed to? I’m not sure I even knew that as a concrete thing, that it wasn’t going to be enough to let my sense of safety be housed within my relationships instead of myself.

Sometimes we learn too well from all those who have been critical in the past, individuals and institutions that have used shame as a tool to control us. And when we use the same tools on ourselves the result is anxiety and self-doubt and depression. But how can we self-soothe, how can we turn inward for comfort when times are tough, if we have cultivated an inner critic whose voice is louder and meaner than anything else inside us?

For some of us, this all results in a situation in which we feel more at peace with a partner than on our own, because in solitude we have not been able to create a space in which we feel completely safe. This has been true for me. Yet I felt entirely comfortable providing that safety that I withhold from myself to someone else. When it works, when it is mutual, it can beautiful, and some healing can happen there, to feel that your heart is being cared for so tenderly by someone else. You might even begin to learn how to do this for yourself. But if such care is withheld, what often kicks in is not an instinct to self-nurture. Rather, it is the voice that tells us that we were never worth it to begin with.

I think all this is why writing feels so important to me—I can transcribe not just the darkness and hurt, but also the light and the balm, and I can create, in an imaginary world, things that I struggle to create internally. I try to teach it to myself, by showing what works and what doesn’t. This, not that, please.

It is also why rejection in all forms is so difficult. When connection feels like safety, then being told we aren’t someone’s cup of tea, or our creative work is not a good fit, or good enough, can be demoralizing. There is no magic to feeling okay with any of that. However, practicing and learning how to be a source of connection and safety within and for ourselves is the key, and not just to handling rejection. It is the path to being able to cope effectively with all that life throws at us.

We must be able to believe ourselves when we say I am safe. We must be able to give that gift to ourselves. I must. I’m working on it, now that I have finally figured out that this is what I should be doing. If this is your work too, I wish you love and luck.

Love, Cath